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|a UAMI
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|a Patton, Cindy,
|d 1956-
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|a Cinematic identity :
|b anatomy of a problem film /
|c Cindy Patton.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2007.
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|a 1 online resource (viii, 189 pages) :
|b illustrations
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|a text
|b txt
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|a Filmography
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|a Theory out of bounds ;
|v v. 29
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|a Includes bibliographical references (pages 173-178) and index.
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|a Includes filmography: pages 179-180.
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|a Print version record.
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|a CONTENTS; ACKNOWLEDGMENTS; 1. American Celluloid: New Medium, New Citizen; 2. In the Hearts of Men; 3. Censorship and the Problem Films; 4. Acting Up: The Performing American; 5. Two Conversations: Black and White Americans on Film; APPENDIX. PINKY: A SYNOPSIS; NOTES; REFERENCES; FILMOGRAPHY; INDEX.
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|a Cindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other Òproblem filmsÓ and to explore the larger issues they raise about race, gender, and sexuality. Patton historicizes Òproblem filmsÓ and the arrival of Method acting in Hollywood, and in doing so offers new perspectives on identity politics, from feminism to the gay rights movement.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Social problems in motion pictures.
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|a Minorities in motion pictures.
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|a Motion pictures
|z United States.
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|a Problèmes sociaux au cinéma.
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|a Minorités au cinéma.
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|a Cinéma
|z États-Unis.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Minorities in motion pictures.
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|a Motion pictures.
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|a Social problems in motion pictures.
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|a United States.
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|i Print version:
|a Patton, Cindy, 1956-
|t Cinematic identity.
|d Minneapolis : University of Minnesota Press, ©2007
|z 9780816634118
|z 0816634114
|w (DLC) 2007030262
|w (OCoLC)154789865
|
830 |
|
0 |
|a Theory out of bounds ;
|v v. 29.
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|u https://jstor.uam.elogim.com/stable/10.5749/j.cttttt1p
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