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|a Harold, Christine,
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|a OurSpace :
|b resisting the corporate control of culture /
|c Christine Harold.
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|a Our space
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2007.
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|a 1 online resource (xxxiii, 190 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 167-186) and index.
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|a Introduction : the brand politics of consuming publics -- Detours and drifts : situationist international and the art of resistance -- Anti-logos : sabotaging the brand through parody -- Intermezzo : and now a word from our sponsors -- Pranks, rumors, hoaxes : "dressing up" and folding as rhetorical action -- Intermezzo : a sequel -- Pirates and hijackers : creative publics and the politics of "owned culture" -- Inventing publics : kairos and intellectual property law -- Conclusion : from private rights to common goods : OurSpace as a creative commons.
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|a Print version record.
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|a In OurSpace, Christine Harold examines the deployment and limitations of culture jamming by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technology, Harold advocates a more inclusive approach to intellectual property that invites innovation and wider participation in the creative process.
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|a English.
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|a Rhetoric
|x Political aspects.
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|a Mass media and culture.
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|a Discours politique.
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|a Médias et culture.
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|a REFERENCE
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|i Print version:
|a Harold, Christine.
|t OurSpace.
|d Minneapolis : University of Minnesota Press, ©2007
|z 9780816649549
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