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Feminine endings : music, gender, and sexuality /
"When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the "new musicology." Through case studies of works ranging from the canonical -...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2002.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a McClary, Susan, |e author. | |
| 245 | 1 | 0 | |a Feminine endings : |b music, gender, and sexuality / |c Susan McClary ; with a new introduction. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c 2002. | ||
| 300 | |a 1 online resource (xx, 220 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g 1. |t Introduction : a material girl in Bluebeard's castle -- |g 2. |t Constructions of gender in Monteverdi's dramatic music -- |g 3. |t Sexual politics in classical music -- |g 4. |t Excess and frame : the musical representation of madwomen -- |g 5. |t Getting down off the beanstalk : the presence of a woman's voice in Janika Vandervelde's Genesis II -- |g 6. |t This is not a story my people tell : musical time and space according to Laurie Anderson -- |g 7. |t Living to tell : Madonna's resurrection of the fleshly. |
| 520 | 1 | |a "When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the "new musicology." Through case studies of works ranging from the canonical - operas by Monteverdi and Bizet - to the contemporary - the performance art of Diamanda Galas and popular songs by Madonna - Susan McClary focuses on the ways music produces images of gender, desire, pleasure, and the body, and explores the gender-based metaphors that circulate in discourse about music. This classic work features a new introduction that discusses the critical reception the book received and the debates it has inspired."--Jacket | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Feminism and music. | |
| 650 | 0 | |a Sex in music. | |
| 650 | 6 | |a Féminisme et musique. | |
| 650 | 6 | |a Sexualité dans la musique. | |
| 650 | 6 | |a Musique et femmes. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Feminism and music |2 fast | |
| 650 | 7 | |a Sex in music |2 fast | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Geschlechterrolle |2 gnd | |
| 650 | 7 | |a Geschlecht |2 gnd | |
| 650 | 7 | |a Sexualität |2 gnd | |
| 650 | 1 | 7 | |a Sekseverschillen. |2 gtt |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 650 | 1 | 7 | |a Seksualiteit. |2 gtt |
| 776 | 0 | 8 | |i Print version: |a McClary, Susan. |t Feminine endings. |d Minneapolis : University of Minnesota Press, 2002 |z 0816641897 |w (DLC) 2002072791 |w (OCoLC)49977094 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5749/j.ctttt886 |z Texto completo |
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