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JSTOR_ocn191222327 |
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080125s1992 ncua ob 001 0 eng d |
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|a NDD
|b eng
|e pn
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|d OCLCA
|d OCLCQ
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|d OCL
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|d OCLCO
|d OCLCQ
|d DGITA
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|d INARC
|d OCLCO
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|a 1077293485
|a 1148066215
|a 1152999826
|a 1171422229
|a 1171849952
|a 1200074638
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|a 9780822382225
|q (electronic bk.)
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|a 0822382229
|q (electronic bk.)
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|a 0822312654
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|a 9780822312659
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|z 0822312611
|q (hardback ;
|q alk. paper)
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|z 9780822312611
|q (hardback ;
|q alk. paper)
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|a 9780822312659
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|a (OCoLC)191222327
|z (OCoLC)1077293485
|z (OCoLC)1148066215
|z (OCoLC)1152999826
|z (OCoLC)1171422229
|z (OCoLC)1171849952
|z (OCoLC)1200074638
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|b 00008251
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|a 22573/ctv124070c
|b JSTOR
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|a ML3534
|b .P76 1992
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|a MUS
|x 019000
|2 bisacsh
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|a MUS
|x 030000
|2 bisacsh
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|a MUS
|x 035000
|2 bisacsh
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|a 781.66
|2 23
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|a UAMI
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|a Present tense :
|b rock & roll and culture /
|c edited by Anthony DeCurtis.
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|a Durham, N.C. :
|b Duke University Press,
|c 1992.
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|a 1 online resource (xii, 317 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|t The Eighties /
|r Anthony DeCurtis --
|t The Church of the Sonic Guitar /
|r Robert Palmer --
|t The Enemy Within: Censorship in Rock Music in the 1950s /
|r Trent Hill --
|t A Corpse in Your Mouth: Adventures of a Metaphor, or Modern Cannibalism /
|r Greil Marcus --
|t Why Don't We Do It in the Classroom? /
|r Glenn Gass --
|t Playing for England /
|r Paul Smith --
|t Rock and Roll as a Cultural Practice /
|r David R. Shumway --
|t Tracking /
|r Robert B. Ray --
|t Signposts on the Road to Nowhere: Laurie Anderson's Crisis of Meaning /
|r Mark Dery --
|t Concerning the Progress of Rock and Roll /
|r Michael Jarrett --
|t Los Angeles, 1999 /
|r Paul Evans --
|t Sexual Mobilities in Bruce Springsteen: Performance as Commentary /
|r Martha Nell Smith --
|t About a Salary or Reality? -- Rap's Recurrent Conflict /
|r Alan Light --
|t Voguing at the Carnival: Desire and Pleasure on MTV /
|r Dan Rubey --
|t Living by Night in the Land of Opportunity: Observations on Life in a Rock and Roll Band /
|r Jeff Calder.
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|a Print version record.
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|a The most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time. In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Rob.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Rock music
|x History and criticism.
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|a Music
|x Social aspects.
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650 |
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|a Rock (Musique)
|x Histoire et critique.
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650 |
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|a Musique
|x Aspect social.
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650 |
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|a MUSIC
|x Genres & Styles
|x Heavy Metal.
|2 bisacsh
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650 |
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|a MUSIC
|x Genres & Styles
|x Punk.
|2 bisacsh
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650 |
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|a MUSIC
|x Genres & Styles
|x Rock.
|2 bisacsh
|
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|
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|a Music
|x Social aspects
|2 fast
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650 |
|
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|a Rock music
|2 fast
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1 |
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|a Popmuziek.
|2 gtt
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1 |
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|a Populaire cultuur.
|2 gtt
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|
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a DeCurtis, Anthony,
|e editor.
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776 |
0 |
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|i Print version:
|t Present tense.
|d Durham, N.C. : Duke University Press, 1992
|z 0822312654
|w (DLC) 92001651
|w (OCoLC)26095859
|
830 |
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|a e-Duke books scholarly collection.
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv125jj4c
|z Texto completo
|
938 |
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|a Digitalia Publishing
|b DGIT
|n DIGDUKEUP1532
|
938 |
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|a ebrary
|b EBRY
|n ebr10195212
|
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|a EBSCOhost
|b EBSC
|n 599161
|
938 |
|
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|a YBP Library Services
|b YANK
|n 2956445
|
938 |
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|a Internet Archive
|b INAR
|n presenttenserock0000unse
|
994 |
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|a 92
|b IZTAP
|