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|a Mazumdar, Ranjani.
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|a Bombay cinema :
|b an archive of the city /
|c Ranjani Mazumdar.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2007.
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|a 1 online resource (xxxvii, 257 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 231-244) and index.
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|a Preface; Acknowledgments; Introduction: Urban Allegories; ONE: Rage on Screen; TWO: The Rebellious Tapori; THREE: Desiring Women; FOUR: The Panoramic Interior; FIVE: Gangland Bombay; Conclusion: After Life; Notes; Bibliography; Index.
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|a Cinema is not only a major industry in India, it is a powerful cultural force. In Bombay Cinema, Ranjani Mazumdar takes a multidisciplinary approach to understanding Bombay cinema as the unofficial archive of the city in India. In this analysis, Mazumdar reveals a complex postnationalist world, convulsed by the social crisis of the 1970s and transformed by the experience of globalization in the 1990s.
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|a Print version record.
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|a English.
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|a JSTOR
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|a JSTOR
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|a JSTOR
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|a Motion pictures
|z India.
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|a Motion picture industry
|z India
|z Mumbai.
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|a Cinéma
|z Inde.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion picture industry.
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|0 (OCoLC)fst01027150
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|a Motion pictures.
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|a India.
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|a India
|z Mumbai.
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|i Print version:
|a Mazumdar, Ranjani.
|t Bombay cinema.
|d Minneapolis : University of Minnesota Press, ©2007
|z 9780816649419
|z 0816649413
|w (DLC) 2006034883
|w (OCoLC)73994085
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|u https://jstor.uam.elogim.com/stable/10.5749/j.ctttt34b
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