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Film hieroglyphs : ruptures in classical cinema /
At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film-examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2006.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Conley, Tom, |e author |4 aut | |
| 245 | 1 | 0 | |a Film hieroglyphs : |b ruptures in classical cinema / |c Tom Conley, with a new Introduction. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2006. | ||
| 300 | |a 1 online resource (xix, 252 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 217-241) and index. | ||
| 500 | |a Originally published: Minneapolis : University of Minnesota Press, 1991. | ||
| 505 | 0 | 0 | |t Hieroglyphs Then and Now -- |t Introduction -- |g 1. |t The Filmic Icon: Boudu sauvé des eaux -- |g 2. |t The Law of the Letter: Scarlet Street -- |g 3. |t Dummies Revived: Manpower -- |g 4. |t The Nether Eye: Objective, Burma! -- |g 5. |t Facts and Figures of History: Paisan -- |g 6. |t The Human Alphabet: La bête humaine -- |g 7. |t Decoding Film Noir: The Killers, High Sierra, and White Heat -- |t Epilogue. |
| 588 | 0 | |a Print version record. | |
| 520 | |a At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film-examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another. Conley hypothesizes that major directors-Renoir, Lang, Walsh, Rossellini-tend unconsciously to meld history and ideology. Graphic elements are seen as simultaneously foreign and integral to the field of the image. From these contradictions hieroglyphs emerge that mark a design. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Motion picture plays |x History and criticism. | |
| 650 | 0 | |a Electronic books. | |
| 650 | 6 | |a Scénarios de cinéma |x Histoire et critique. | |
| 650 | 6 | |a Livres numériques. | |
| 650 | 7 | |a e-books. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture plays |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Conley, Tom. |t Film hieroglyphs. |d Minneapolis : University of Minnesota Press, ©2006 |z 0816649707 |z 9780816649709 |w (DLC) 2006015938 |w (OCoLC)69331418 |
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