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|2 22
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|a UAMI
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|a Ceplair, Larry.
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|a The Marxist and the movies :
|b a biography of Paul Jarrico /
|c Larry Ceplair.
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|a Lexington :
|b University Press of Kentucky,
|c ©2007.
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|a 1 online resource (xii, 327 pages, 8 unnumbered pages of plates) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Screen classics
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|a Includes bibliographical references (pages 255-310) and index.
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|a Includes filmography: pages 243-253.
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|a The early years, 1915-36 -- Screenwriting and communism, 1936-39 -- World War II, 1939-45 -- The Cold War in Hollywood, 1945-47 -- The interregnum, 1948-50 -- The blacklist expands, 1951-52 -- Salt of the earth, 1952-54 -- The black market and Khrushchev's speech, 1954-58 -- Europe, 1958-75 -- Political battles, 1958-75 -- Back in the USA, 1975-97.
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|a As part of its effort to rid the nation of Communist influence and infiltration, the House Un-American Activities Committee subpoenaed hundreds of actors, screenwriters, producers, and directors with suspected "Red" leanings in 1947. Some of these film industry veterans, including screenwriter Paul Jarrico (1915-1997), refused to testify on Capitol Hill and were denied subsequent employment. In The Marxist and the Movies, Larry Ceplair illuminates the life, career, and political activism of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick, and Harry (1941) and the
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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1 |
0 |
|a Jarrico, Paul.
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1 |
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|a United States.
|b Congress.
|b House.
|b Committee on Un-American Activities.
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1 |
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|a Jarrico, Paul.
|2 fast
|0 (OCoLC)fst00134724
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1 |
7 |
|a United States.
|b Congress.
|b House.
|b Committee on Un-American Activities.
|2 fast
|0 (OCoLC)fst00544557
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|a Screenwriters
|z United States
|v Biography.
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650 |
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|a Motion picture industry
|z United States.
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650 |
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0 |
|a Blacklisting of entertainers
|z United States.
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650 |
|
0 |
|a Communism and motion pictures
|z United States.
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651 |
|
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|a Hollywood (Los Angeles, Calif.)
|x History.
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650 |
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6 |
|a Scénaristes
|z États-Unis
|v Biographies.
|
650 |
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|a Cinéma
|x Industrie
|z États-Unis.
|
650 |
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|a Listes noires d'artistes du spectacle
|z États-Unis.
|
650 |
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|a Communisme et cinéma
|z États-Unis.
|
650 |
|
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|a PERFORMING ARTS
|x Film & Video
|x Screenwriting.
|2 bisacsh
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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650 |
|
7 |
|a Blacklisting of entertainers.
|2 fast
|0 (OCoLC)fst00833874
|
650 |
|
7 |
|a Communism and motion pictures.
|2 fast
|0 (OCoLC)fst00870516
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7 |
|a Motion picture industry.
|2 fast
|0 (OCoLC)fst01027150
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650 |
|
7 |
|a Screenwriters.
|2 fast
|0 (OCoLC)fst01109351
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651 |
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|a California
|z Los Angeles
|z Hollywood.
|2 fast
|0 (OCoLC)fst01312041
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651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
|
7 |
|a Biographies.
|2 fast
|0 (OCoLC)fst01919896
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655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|
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|a Biographies.
|2 lcgft
|
776 |
0 |
8 |
|i Print version:
|a Ceplair, Larry.
|t Marxist and the movies.
|d Lexington : University Press of Kentucky, ©2007
|z 9780813124537
|z 0813124530
|w (DLC) 2007019777
|w (OCoLC)129953902
|
830 |
|
0 |
|a Screen classics (Lexington, Ky.)
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jcgfs
|z Texto completo
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