|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn182574522 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
071129s1995 enk ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d YDXCP
|d OCLCQ
|d E7B
|d OCLCQ
|d OCLCA
|d JSTOR
|d CAMBR
|d OCLCF
|d OCLCQ
|d HEBIS
|d OCLCO
|d IOG
|d EZ9
|d TXC
|d OCLCA
|d LVT
|d OCLCA
|d SFB
|d UKAHL
|d OCLCO
|d OCLCQ
|d UKMGB
|
015 |
|
|
|a GBC3F3127
|2 bnb
|
016 |
7 |
|
|a 021164733
|2 Uk
|
019 |
|
|
|a 646822696
|
020 |
|
|
|a 9781846153075
|q (electronic bk.)
|
020 |
|
|
|a 1846153077
|q (electronic bk.)
|
020 |
|
|
|z 085991464X
|
020 |
|
|
|z 9780859914642
|
029 |
1 |
|
|a AU@
|b 000056738268
|
029 |
1 |
|
|a UKMGB
|b 021164733
|
035 |
|
|
|a (OCoLC)182574522
|z (OCoLC)646822696
|
037 |
|
|
|a 22573/ctt1zw9p
|b JSTOR
|
050 |
|
4 |
|a PR1933.K6
|b K58 1995eb
|
072 |
|
7 |
|a POE
|x 005020
|2 bisacsh
|
072 |
|
7 |
|a HIS037010
|2 bisacsh
|
082 |
0 |
4 |
|a 821.1
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Klassen, Norman,
|d 1962-
|
245 |
1 |
0 |
|a Chaucer on love, knowledge, and sight /
|c Norman Klassen.
|
260 |
|
|
|a Cambridge :
|b D.S. Brewer ;
|a Rochester, NY :
|b Boydell & Brewer,
|c ©1995.
|
300 |
|
|
|a 1 online resource (xi, 225 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|
490 |
1 |
|
|a Chaucer studies,
|x 0261-9822 ;
|v 21
|
504 |
|
|
|a Includes bibliographical references (pages 211-218) and index.
|
588 |
0 |
|
|a Print version record.
|
520 |
|
|
|a In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota.
|
505 |
0 |
|
|a ACKNOWLEDGEMENTS; ABBREVIATIONS; INTRODUCTION; 1. An Eye for Truth and Beauty: A Metaphysical Preface to Middle English Literature of Love and Knowledge; 2. A Two-fold Symbol of Knowledge: Sight in Natural Philosophy; 3. The Hostility of Love and Knowledge: Sight in Medieval Love Poetry; 4. The Hospitality of Love and Knowledge I: The Shared Language and Shared Ideas of Erotic Love and Spiritual Love; 5. The Hospitality of Love and Knowledge II: Erotic Love and Natural Philosophy Revisited
|
505 |
8 |
|
|a 6. The Interference of Self-reflexiveness: The Poet and the Parasitisme of Love and KnowledgeCONCLUSION; BIBLIOGRAPHY; INDEX
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Chaucer, Geoffrey,
|d -1400
|x Philosophy.
|
600 |
1 |
7 |
|a Chaucer, Geoffrey,
|d -1400.
|2 fast
|0 (OCoLC)fst01812213
|
600 |
1 |
7 |
|a Chaucer, Geoffrey
|d 1343-1400
|2 gnd
|
650 |
|
0 |
|a Knowledge, Theory of, in literature.
|
650 |
|
0 |
|a Philosophy, Medieval, in literature.
|
650 |
|
0 |
|a Vision in literature.
|
650 |
|
0 |
|a Love in literature.
|
650 |
|
6 |
|a Théorie de la connaissance dans la littérature.
|
650 |
|
6 |
|a Philosophie médiévale dans la littérature.
|
650 |
|
6 |
|a Vision dans la littérature.
|
650 |
|
6 |
|a Amour dans la littérature.
|
650 |
|
7 |
|a POETRY
|x English, Irish, Scottish, Welsh.
|2 bisacsh
|
650 |
|
7 |
|a HISTORY
|x Medieval.
|2 bisacsh
|
650 |
|
7 |
|a Knowledge, Theory of, in literature.
|2 fast
|0 (OCoLC)fst00988217
|
650 |
|
7 |
|a Love in literature.
|2 fast
|0 (OCoLC)fst01002808
|
650 |
|
7 |
|a Philosophy.
|2 fast
|0 (OCoLC)fst01060777
|
650 |
|
7 |
|a Philosophy, Medieval, in literature.
|2 fast
|0 (OCoLC)fst01061065
|
650 |
|
7 |
|a Vision in literature.
|2 fast
|0 (OCoLC)fst01167902
|
650 |
|
7 |
|a Liebe
|g Motiv
|2 gnd
|
650 |
|
7 |
|a Wissen
|2 gnd
|
650 |
1 |
7 |
|a Liefde.
|2 gtt
|
650 |
1 |
7 |
|a Kennistheorie.
|2 gtt
|
650 |
1 |
7 |
|a Visuele waarneming.
|2 gtt
|
653 |
0 |
|
|a English poetry
|
776 |
0 |
8 |
|i Print version:
|a Klassen, Norman, 1962-
|t Chaucer on love, knowledge, and sight.
|d Cambridge : D.S. Brewer ; Rochester, NY : Boydell & Brewer, ©1995
|z 085991464X
|z 9780859914642
|w (DLC) 94047959
|w (OCoLC)31737383
|
830 |
|
0 |
|a Chaucer studies ;
|v 21.
|x 0261-9822
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81zfg
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37538139
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10326304
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 203025
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 2740164
|
994 |
|
|
|a 92
|b IZTAP
|