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Body shots : early cinema's incarnations /
Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentie...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©2007.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Auerbach, Jonathan, |d 1954- | |
| 245 | 1 | 0 | |a Body shots : |b early cinema's incarnations / |c Jonathan Auerbach. |
| 260 | |a Berkeley : |b University of California Press, |c ©2007. | ||
| 300 | |a 1 online resource (xii, 200 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 179-193) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Body, movement, space -- Looking in: McKinley at home -- Looking out: visualizing self-consciousness ; Interlude: the vocal gesture: sounding the origins of cinema -- Chasing film narrative -- Windows 1900; or, Life of an American fireman -- The stilled body. | |
| 520 | |a Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Human body in motion pictures. | |
| 650 | 0 | |a Silent films |x History and criticism. | |
| 650 | 6 | |a Corps humain au cinéma. | |
| 650 | 6 | |a Films muets |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Human body in motion pictures |2 fast | |
| 650 | 7 | |a Silent films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Auerbach, Jonathan, 1954- |t Body shots. |d Berkeley : University of California Press, ©2007 |z 9780520252592 |z 0520252594 |w (DLC) 2007008837 |w (OCoLC)85814052 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1ppbm9 |z Texto completo |
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