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|a The philosophy of science fiction film /
|c edited by Steven M. Sanders.
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|a Lexington, Kentucky :
|b University Press of Kentucky,
|c [2008]
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|c ©2008
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|a 1 online resource (viii, 232 pages)
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|a Bibliography
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|a The philosophy of popular culture
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|a Includes bibliographical references and index.
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|a An introduction to the philosophy of science fiction film / Steven M. Sanders -- Enigmas of identity and agency -- What is it to be human? : Blade runner and Dark city / Deborah Knight and George McKnight -- Recalling the self : personal identity in Total recall / Shai Biderman -- Picturing paranoia : interpreting Invasion of the body snatchers / Steven M. Sanders -- The existential Fankenstein / Jennifer L. McMahon -- Extraterrestrial visitation, time travel, and artificial intelligence -- Technology and ethics in The day the earth stood still / Aeon J. Skoble -- Some paradoxes of time travel in The terminator and 12 monkeys / William J. Devlin -- 2001 : a philosophical odyssey / Kevin L. Stoehr -- Terminator-fear and the paradox of fiction / Jason Holt -- Brave newer world : science fiction futurism -- The dialectic of Enlightenment in Metropolis / Jerold J. Abrams -- Imagining the future, contemplating the past : the screen versions of 1984 / R. Barton Palmer -- Disenchantment and rebellion in Alphaville / Alan Woolfolk -- The matrix, the cave, and the cogito / Mark T. Conard.
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|a Print version record.
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|a The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. The Philosophy of Science Fiction Film explores the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Science fiction films
|x History and criticism.
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|a Films de science-fiction
|x Histoire et critique.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PHILOSOPHY
|x General.
|2 bisacsh
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|a Science fiction films.
|2 fast
|0 (OCoLC)fst01108616
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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1 |
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|a Sanders, Steven,
|d 1945-
|e editor.
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0 |
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|i Print version:
|t Philosophy of science fiction film.
|d Lexington, Ky. : University Press of Kentucky, ©2008
|z 9780813124728
|z 0813124727
|w (DLC) 2007038230
|w (OCoLC)173218710
|
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|a Philosophy of popular culture.
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856 |
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