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Mediated associations : cinematic dimensions of social theory /
"Mediated Associations builds on current debates over the relationship between society and the cinema, and extends the critical dialogue that has been emerging between cinematic concepts and methods of social analysis. Drawing from a broad range of philosophical, sociological, cultural, media,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal [Que.] :
McGill-Queen's University Press,
©2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a O'Connor, Daniel M. |q (Daniel Michael), |d 1960- | |
| 245 | 1 | 0 | |a Mediated associations : |b cinematic dimensions of social theory / |c Daniel O'Connor. |
| 260 | |a Montreal [Que.] : |b McGill-Queen's University Press, |c ©2002. | ||
| 300 | |a 1 online resource (209 pages) | ||
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| 504 | |a Includes bibliographical references (pages 195-202) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a The affective associations -- Three social apparatuses, and a fourth? -- Cinema's optics -- The close-up : circuits of communication -- The out-of-field : sociability and sociality -- The flashback : cultural dislocations and global actions -- Cinematic interaction : spatial displacements and global scenes -- Symbols and secrets. | |
| 520 | 1 | |a "Mediated Associations builds on current debates over the relationship between society and the cinema, and extends the critical dialogue that has been emerging between cinematic concepts and methods of social analysis. Drawing from a broad range of philosophical, sociological, cultural, media, and cinema theorists, Daniel O'Connor develops a unique conception of the power of cinematic apparatuses. He expands our understanding of how cinema effectively resonates with its viewers and draws our attention to the constitution and control of aesthetic-cinematic communities." "Rather than focusing on the abstract and individualizing character of cinema, Mediated Associations elucidates the collective character of cinematic objects. O'Connor argues that social theory must come to terms with the new mobilities and speed of cinema, and the various ways in which the affect - as a virtual moment of collective experience - is inserted into the flow of movement and structures cinematic events. In considering the primacy of the affect to cinematic forms of power, he examines the way in which cinema controls our associations, reconstituting our manners and habits of sociality in subtle and complex ways."--Jacket | |
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| 650 | 0 | |a Motion pictures |x Social aspects. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Soziologie |2 gnd | |
| 650 | 7 | |a Kommunikation |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
| 650 | 7 | |a Cinéma |x Aspect social. |2 rvm | |
| 776 | 0 | 8 | |i Print version: |a O'Connor, Daniel M. (Daniel Michael), 1960- |t Mediated associations. |d Montreal ; Ithaca : McGill-Queen's University Press, ©2002 |w (DLC) 2004300532 |
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