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Medieval arts doctrines on ambiguity and their place in Langland's poetics /
"Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for lang...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal, Que. :
McGill-Queen's University Press,
©2000.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Chamberlin, John, |d 1942-1999. | |
| 245 | 1 | 0 | |a Medieval arts doctrines on ambiguity and their place in Langland's poetics / |c John Chamberlin. |
| 260 | |a Montreal, Que. : |b McGill-Queen's University Press, |c ©2000. | ||
| 300 | |a 1 online resource (185 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 1 | |a "Using an interdisciplinary approach, John Chamberlin brings together an examination of Langland's poetic practices, a discussion of the historical development of the arts of discourse doctrines they derive from, and some broad considerations of the implications of these doctrines for language theory. Focusing on the concept of ambiguity, Chamberlin claims that the excess of meaning ambiguity gives language is at least as important as allegory to the understanding of Piers Plowman and other medieval texts. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives."--Jacket | |
| 505 | 0 | |a Contents -- Preface -- Acknowledgments -- Introduction -- Lexical Ambiguity: Context, Ground, and Overview -- Augustine on Ambiguity -- The Twelfth Century and Arts of Discourse -- Piers Plowman: The Resources of Ambiguity in the SamaritanÃŒs Sermon -- Transition -- Words-as-Words: Context, Ground, and Overview -- Augustine on Words- as- Words -- The Twelfth Century and Words- as- Words -- Piers Plowman and the Ambiguity of Words- as- Words -- Conclusion -- Works Cited -- Index | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Langland, William, |d 1330?-1400? |t Piers Plowman. |
| 630 | 0 | 7 | |a Piers Plowman (Langland, William) |2 fast |
| 650 | 0 | |a Ambiguity in literature. | |
| 650 | 0 | |a Poetics |x History |y To 1500. | |
| 650 | 6 | |a Ambiguïté dans la littérature. | |
| 650 | 6 | |a Poétique |x Histoire |y Jusqu'à 1500. | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Drama. |2 bisacsh | |
| 650 | 7 | |a Ambiguity in literature |2 fast | |
| 650 | 7 | |a Poetics |2 fast | |
| 648 | 7 | |a To 1500 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Chamberlin, John, 1942- |t Medieval arts doctrines on ambiguity and their place in Langland's poetics. |d Montreal ; Ithaca, [N.Y.] : McGill-Queen's University Press, ©2000 |z 0773520732 |w (DLC) 2001277102 |w (OCoLC)43282448 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt80ct0 |z Texto completo |
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