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A national acoustics : music and mass publicity in Weimar and Nazi Germany /
In A National Acoustics, Brian Currid investigates the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime. Currid illustrates the contradictions between Germany's social and cultural histories and how the technologies of recording were vital to the e...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2006.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Currid, Brian, |e author. | |
| 245 | 1 | 2 | |a A national acoustics : |b music and mass publicity in Weimar and Nazi Germany / |c Brian Currid. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2006. | ||
| 300 | |a 1 online resource (ix, 279 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 253-267) and index. | ||
| 505 | 0 | |a German sounds, sounding German, and the acoustics of publicity -- Radio, mass publicity, and national fantasy -- The Schlager and the Singer film : organs of experience and the history of subjectivity -- "Musik" and "Musick" : "opus music" and mass culture -- "Songs the gypsy plays for us" : racial fantasy, music, and the state. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In A National Acoustics, Brian Currid investigates the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime. Currid illustrates the contradictions between Germany's social and cultural histories and how the technologies of recording were vital to the emergence of a national imaginary and exposed the fault lines in the contested terrain of mass communication. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Music and state |z Germany |x History |y 20th century. | |
| 650 | 0 | |a National socialism and music |z Germany |z Weimar (Thuringia) | |
| 650 | 0 | |a Mass media and public opinion |z Germany. | |
| 650 | 6 | |a Musique |x Politique gouvernementale |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Nazisme et musique |z Allemagne |z Weimar (Thuringe) | |
| 650 | 6 | |a Médias et opinion publique |z Allemagne. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x International. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Mass media and public opinion. |2 fast |0 (OCoLC)fst01011360 | |
| 650 | 7 | |a Music and state. |2 fast |0 (OCoLC)fst01030489 | |
| 650 | 7 | |a National socialism and music. |2 fast |0 (OCoLC)fst01033799 | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 651 | 7 | |a Germany |z Weimar (Thuringia) |2 fast |0 (OCoLC)fst01312988 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Currid, Brian. |t National acoustics. |d Minneapolis : University of Minnesota Press, ©2006 |z 0816640416 |z 9780816640416 |w (DLC) 2006001059 |w (OCoLC)63122747 |
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