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|a 22573/ctt146txv0
|b JSTOR
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|a e-it---
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|a UAMI
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|a Barolini, Teodolinda,
|d 1951-
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|a Dante and the origins of Italian literary culture /
|c Teodolinda Barolini.
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|a 1st ed.
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|a New York :
|b Fordham University Press,
|c 2006.
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|a 1 online resource (viii, 475 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Includes bibliographical references (pages 379-466) and index.
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|t Dante and the lyric past--
|t Guittone's Ora parrá, Dante's Doglia mi reca, and the Commedia's anatomy of desire--
|t Dante and Cavalcanti (on making distinctions in matters of love) : Inferno 5 in its lyrics and autobiographical context--
|t Medieval multiculturalism and Dante's technology of hell--
|t Why did Dante write the Commedia? Dante and the visionary tradition--
|t Minos's tail : the labor of devising hell (Aeneid 6.431-33 and Inferno 5.1-24)--
|t Q : Does Dante hope for Vergil's salvation? A : Why do we care? For the very reason we should not ask the question--
|t Arachne, Argus, and St. John : transgressive art in Dante and Ovid--
|t Cominciandomi dal principio infino a la fine : forging anti-narrative in the Vita nuova--
|t The making of a lyric sequence : time and narrative in Petrarch's Rerum vulgarium fragmenta--
|t The wheel of the Decameron--
|t Editing Dante's Rime and Italian cultural history : Dante, Boccaccio, Petrarca ... Barbi, Contini, Foster-Boyde, De Robertis--
|t Le parole son femmine e i fatti son maschi : toward a sexual poetics of the Decameron (Decameron 2.9, 2.10, 5.10)--
|t Dante and Francesca da Rimini : realpolitik, romance, gender--
|t Sotto benda : gender in the lyrics of Dante and Guittone d' Arezzo (with a brief excursus on Cecco d'Ascoli)--
|t Notes toward a gendered history of Italian literature, with a discussion of Dante's Beatrix Loquax.
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|a Print version record.
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|a Explores the sources of Italian literary culture in the figures of its lyric poets and its 'three crowns': Dante, Petrarch, and Boccaccio. This book views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Dante Alighieri,
|d 1265-1321
|x Influence.
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|a Dante Alighieri,
|d 1265-1321
|x Influence
|z Italy.
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|a Dante Alighieri,
|d 1265-1321
|x Influence.
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|a Dante Alighieri,
|d 1265-1321.
|2 fast
|0 (OCoLC)fst00029097
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|a Italian literature
|x History and criticism.
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|a Littérature italienne
|x Histoire et critique.
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|a POETRY
|x Continental European.
|2 bisacsh
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|a LITERARY CRITICISM
|x Medieval.
|2 bisacsh
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|a Influence (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00972484
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|a Italian literature.
|2 fast
|0 (OCoLC)fst00980660
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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0 |
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|i Print version:
|a Barolini, Teodolinda, 1951-
|t Dante and the origins of Italian literary culture.
|b 1st ed.
|d New York : Fordham University Press, 2006
|z 0823227030
|z 9780823227037
|w (DLC) 2006029447
|w (OCoLC)71275597
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt14bs01r
|z Texto completo
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|a .o1094171x
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|a Internet Archive
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|a EBSCOhost
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|a ProQuest MyiLibrary Digital eBook Collection
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|a Project MUSE
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|a Oxford University Press USA
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