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|a Scholes, Robert,
|d 1929-2016.
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|a Paradoxy of modernism /
|c Robert Scholes.
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|a New Haven [Conn.] :
|b Yale University Press,
|c ©2006.
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|a 1 online resource (xiv, 295 pages) :
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|a Includes bibliographical references (pages 281-284) and index.
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|a High and low in Modernist criticism -- Old and new in Modernist art -- Poetry and rhetoric in the Modernist montage -- Hard and soft : Joyce and others -- Durable fluff : the importance of not being earnest -- Iridescent mediocrity : Dornford Yates and others -- Formulaic creativity : Simenon's Maigret novels -- Model artists in Paris : Hastings, Hammett, and Kiki -- The aesthete in the brothel : Proust and others.
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|a Print version record.
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|a Robert Scholes intervenes in ongoing discussions about modernism in the arts during the crucial half-century from 1895 to 1945 he contends that the binary oppositions which defined modernism are misleading. He argues that such oppositions are instances of 'paradoxy', an apparent clarity that covers real confusion.
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|a Modernism (Art)
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|a Modernism (Literature)
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|a Arts, Modern
|y 20th century.
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|a Modernisme (Art)
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|a Modernisme (Littérature)
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|a Arts
|y 20e siècle.
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|i Print version:
|a Scholes, Robert E.
|t Paradoxy of modernism.
|d New Haven [Conn.] : Yale University Press, ©2006
|z 9780300108200
|z 0300108206
|w (DLC) 2005014529
|w (OCoLC)60543415
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1npmrf
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