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|a UAMI
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|a Cairns, Lucille,
|d 1963-
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|a Sapphism on screen :
|b lesbian desire in French and Francophone cinema /
|c Lucille Cairns.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2006.
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|a 1 online resource (viii, 223 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
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|a Filmography
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|a Filmography: pages 198-209.
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|a Includes bibliographical references (pages 210-214) and index.
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|a Print version record.
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|a Lesbian desire in film: coming to terms -- Bad girls: criminality -- Mad girls: pathology -- Girls on the edge: liminality -- Girls on top: sapphology -- Conclusion.
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|a This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Switzerland and Africa. The corpus is unique in never before having been assembled, and represents a valuable tool not just for researchers but also for university teachers creating courses both on lesbianism in film and on sexuality in French cinema. A fair number of the 89 texts treated are mainstream films which have achieved high critical acclaim and/or high viewing figures: to cite just a few examples, Henri-Georges Clouzot's Quai des orf÷vres (1947), Louis Malle's Milou en mai (1989), Claude Chabrol's La CÃ♭rÃ♭monie (1995), AndrÃ♭ TÃ♭chinÃ♭'s Les Voleurs (1995), and FranÃʹois Ozon's Huit femmes (2001). As such, they have contributed to hegemonic constructions of and debate on (female) homosexuality, in a century wherein sexed/ gendered identity, including sexual orientation, has become a preeminent factor in the constitution of subjectivity. While such constructions and debate have a French-language specificity, and have been produced in distinct socio-political and cultural contexts, this study also engages in analytical comparisons with relevant anglophone films and their own distinct discursive contexts.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Homosexuality in motion pictures.
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|a Lesbianism in motion pictures.
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|a Motion pictures
|z France.
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|a Motion pictures
|x Social aspects
|z France.
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|a Motion pictures
|z French-speaking countries.
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|a Motion pictures
|x Social aspects
|z French-speaking countries.
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|a Homosexualité au cinéma.
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|a Lesbianisme au cinéma.
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|a Cinéma
|z France.
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|a Cinéma
|x Aspect social
|z France.
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|a Cinéma
|x Aspect social
|z Francophonie.
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|a Cinéma
|z Francophonie.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Homosexuality in motion pictures
|2 fast
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|a Lesbianism in motion pictures
|2 fast
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|a Motion pictures
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|a Motion pictures
|x Social aspects
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|a France
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|a French-speaking countries
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|a Filmkunst.
|2 gtt
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|a Films.
|2 gtt
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|a Lesbische liefde.
|2 gtt
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|i Print version:
|a Cairns, Lucille, 1963-
|t Sapphism on screen.
|d Edinburgh : Edinburgh University Press, ©2006
|z 0748621652
|z 9780748621651
|w (OCoLC)68616916
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856 |
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1r27ht
|z Texto completo
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