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Isak Dinesen and narrativity : reassessments for the 1990s /

Responding to recent Dinesen scholarship and public exposure in such films as Out of Africa and Babette's Feast, these fourteen original essays discuss and reveal the aesthetic subtlety and philosophical complexity of Dinesen's art.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: Centre TADAC
Otros Autores: Woods, Gurli A. (Gurli Aagaard), 1942-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Ottawa, Ont.] : Carleton University Press for the Centre for Textual Analysis, Discourse and Culture, ©1994.
Colección:Papers (Centre TADAC) ; 3.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Table of Contents
  • Preface
  • Introduction
  • I. Gender and Feminist Perspectives
  • Consuming Isak Dinesen
  • Life as Fiction: Narrative Appropriation in Isak Dinesen's Out of Africa
  • Sp(l)acing out of the (Sub)Text: Rewriting through Landscapes in Isak Dinesen's Out of Africa
  • Lilith and Gender Equality in Isak Dinesen's The Supper at Elsinore and The Old Chevalier
  • Tapping the Roots: Hidden Sources of Power in Isak Dinesen's The Dreamers
  • II. The Symbolist Tradition
  • Mallarméan Poetics and Isak Dinesen's Politics in The Blank Page
  • The Poetics of the Story: On Symbolist Tendencies in Isak Dinesen's FictionIsak Dinesen Among the Victorians: Some Shared Symbolic Techniques
  • III. Interpretive Strategies from Rhetoric to Deconstruction
  • Isak Dinesen Versus Postmodernism: The Criticism of Modernity and the Problem of Non-simultaneousness in Relation to Isak Dinesen's Work
  • Methods of Narratology and Rhetoric for Analyzing Isak Dinesen's The Blank Page
  • The Silent Tale: Pragmatic Strategy in Isak Dinesen's The Blank Page
  • The Phenomenon of Intertextuality and the Role of Androgyny in Isak Dinesen's The Roads Round PisaIsak Dinesen's The Pearls: Resentment and the Economy of Narrative
  • Deconstructing the Fictional World of Isak Dinesen's The Monkey
  • Works Cited and Consulted
  • Index
  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • V
  • W
  • Y
  • Z
  • Notes on the Contributors