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|a Glickman, Susan,
|d 1953-
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|a The picturesque and the sublime :
|b a poetics of the Canadian landscape /
|c Susan Glickman.
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|a Montreal [Que.] :
|b McGill-Queen's University Press,
|c ©1998.
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|a 1 online resource (xi, 212 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|2 rdacarrier
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|a data file
|2 rda
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|a Includes bibliographical references and index.
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|a Print version record.
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|a An introductory ramble through the picturesque and the sublime -- Candian prospects: Abram's Plain and Quebec Hill in context -- "After the beauty of terror the beauty of peace" : notes on the Canadian sublime -- The waxing and waning of Susanna Moodie's "Enthusiasm" -- "The keen stars' conflicting message" : Wordsworth, Shelley, and Charles G.D. Roberts' ave -- New provinces?, or, in Acadia, no ego -- Song to the rising sun.
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|a "The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque." "Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome - even terrifying - and welcomed scenes that conformed to these notions of sublimity. She contends that to interpret their descriptions of nature as "negative," as so many critics have done, is a significant misunderstanding. Glickman provides close readings of several important works, including Susanna Moodie's "Enthusiasm," Charles G.D. Roberts's Ave, and Paulette Jiles's "Song to the Rising Sun," and explores the poems in the context of theories of nature and art."--Jacket
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Canadian poetry
|x History and criticism.
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|a Landscapes in literature.
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650 |
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|a Picturesque, The, in literature.
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|a Sublime, The, in literature.
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|a Nature in literature.
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|a Canadian poetry
|x Themes, motives.
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|a Canadian poetry (English)
|x History and criticism.
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650 |
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|a Poésie canadienne-anglaise
|x Thèmes, motifs.
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|a Paysages dans la littérature.
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|a Nature dans la littérature.
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|a Pittoresque dans la littérature.
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|a Sublime dans la littérature.
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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|a LITERARY CRITICISM
|x Canadian.
|2 bisacsh
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|a Canadian poetry.
|2 fast
|0 (OCoLC)fst00845173
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|
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|a Landscapes in literature.
|2 fast
|0 (OCoLC)fst01899802
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|a Nature in literature.
|2 fast
|0 (OCoLC)fst01034680
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|a Picturesque, The, in literature.
|2 fast
|0 (OCoLC)fst01063850
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|a Sublime, The, in literature.
|2 fast
|0 (OCoLC)fst01136597
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
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|i Print version:
|a Glickman, Susan, 1953-
|t Picturesque and the sublime.
|d Montreal : McGill-Queen's University Press, 1998
|w (DLC) 98900172
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7zpww
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