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|a UAMI
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|a Hutnyk, John,
|d 1961-
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|a Critique of exotica :
|b music, politics, and the culture industry /
|c John Hutnyk.
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260 |
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|a London ;
|a Sterling, Va. :
|b Pluto Press,
|c 2000.
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300 |
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|a 1 online resource (261 pages)
|
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
|2 rda
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|a Includes bibliographical references (pages 239-250) and index.
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|a Dub : introduction -- Adorno at Womad -- 'Dog tribe' -- Magical mystical tourism -- Authenticity or cultural politics? -- Internationalisms -- Critique of postcolonial Marxisms -- 'Naxalite' -- Conclusion : the culture industry.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [S.l.] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a Annotation
|b <div>In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses 'world' music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.</div>
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Popular music
|x Social aspects.
|
650 |
|
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|a Popular music
|x Political aspects.
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650 |
|
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|a Popular culture
|x History
|y 20th century.
|
650 |
|
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|a Intercultural communication.
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650 |
|
0 |
|a Cultural fusion.
|
650 |
|
0 |
|a Multiculturalism.
|
650 |
|
6 |
|a Musique populaire
|x Aspect social.
|
650 |
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6 |
|a Musique populaire
|x Aspect politique.
|
650 |
|
6 |
|a Culture populaire
|x Histoire
|y 20e siècle.
|
650 |
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|a Asiatiques
|x Conditions sociales
|y 20e siècle.
|
650 |
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|a Communication interculturelle.
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|a Double appartenance (Sciences sociales)
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|a Multiculturalisme.
|
650 |
|
7 |
|a multiculturalism.
|2 aat
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
|
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|
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
|
650 |
|
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a POLITICAL SCIENCE
|x Political Ideologies
|x Democracy.
|2 bisacsh
|
650 |
|
7 |
|a Multiculturalism.
|2 fast
|0 (OCoLC)fst01028836
|
650 |
|
7 |
|a Intercultural communication.
|2 fast
|0 (OCoLC)fst00976084
|
650 |
|
7 |
|a Cultural fusion.
|2 fast
|0 (OCoLC)fst01715748
|
650 |
|
7 |
|a Popular culture.
|2 fast
|0 (OCoLC)fst01071344
|
650 |
|
7 |
|a Popular music
|x Political aspects.
|2 fast
|0 (OCoLC)fst01071452
|
650 |
|
7 |
|a Popular music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01071460
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650 |
|
7 |
|a Unterhaltungsmusik
|2 gnd
|
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|
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|a Globalisierung
|2 gnd
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|
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|a Musikwirtschaft
|2 gnd
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1 |
7 |
|a Populaire muziek.
|2 gtt
|
650 |
1 |
7 |
|a Cultuurindustrie.
|2 gtt
|
650 |
1 |
7 |
|a Cultuurbeleid.
|2 gtt
|
650 |
1 |
7 |
|a Interculturele communicatie.
|2 gtt
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
776 |
0 |
8 |
|i Print version:
|a Hutnyk, John, 1961-
|t Critique of exotica.
|d London ; Sterling, Va. : Pluto Press, 2000
|w (DLC) 00009745
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt18fs31z
|z Texto completo
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