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The philosophy of film noir /
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
University Press of Kentucky,
©2006.
|
| Colección: | Philosophy of popular culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The philosophy of film noir / |c edited by Mark T. Conard ; foreword by Robert Porfirio. |
| 260 | |a Lexington : |b University Press of Kentucky, |c ©2006. | ||
| 300 | |a 1 online resource (xv, 248 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 380 | |a Bibliography | ||
| 380 | |a Catalog | ||
| 490 | 1 | |a The philosophy of popular culture. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture. | ||
| 505 | 0 | 0 | |t Nietzsche and the meaning and definition of noir / |r Mark T. Conard -- |t A darker shade: realism in neo-noir / |r Jason Holt -- |t Moral clarity and practical reason in film noir / |r Aeon J. Skoble -- |t Cherchez la femme fatale: the mother of film noir / |r Read Mercer Schuchardt -- |t From Sherlock Holmes to the hard-boiled detective in film noir / |r Jerold J. Abrams -- |t Film noir and the meaning of life / |r Steven M. Sanders -- |t The horizon of disenchantment: film noir, Camus, and the vicissitudes of descent / |r Alan Woolfolk -- |t Symbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction / |r Mark T. Conard -- |t Film noir and the Frankfurt School: America as wasteland in Edgar Ulmer's Detour / |r Paul A. Cantor -- |t Knowledge, morality, and tragedy in The killers and Out of the past / |r Ian Jarvie -- |t Moral man in the dark city: film noir, the postwar religious revival, and The accused / |r R. Barton Palmer -- |t On reason and passion in The Maltese falcon / |r Deborah Knight -- |t Ride the pink horse: money, mischance, murder, and the monads of film noir / |r Alain Silver. |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
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| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Film noir |x History and criticism. | |
| 650 | 6 | |a Films noirs |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x General. |2 bisacsh | |
| 650 | 7 | |a Film noir. |2 fast |0 (OCoLC)fst00924273 | |
| 650 | 7 | |a Film noir |2 gnd | |
| 650 | 7 | |a Filmtheorie |2 gnd | |
| 650 | 1 | 7 | |a Film noir. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Conard, Mark T., |d 1965- | |
| 776 | 0 | 8 | |i Print version: |t Philosophy of film noir. |d Lexington : University Press of Kentucky, ©2006 |z 0813123771 |w (DLC) 2005030639 |w (OCoLC)61878851 |
| 830 | 0 | |a Philosophy of popular culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jchn4 |z Texto completo |
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