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Boccherini's body : an essay in carnal musicology /
In this elegant study of the works of the undeservedly neglected composer Luigi Boccherini, Elisabeth Le Guin uses knowledge gleaned from her own playing of the cello as the keystone of her original approach to the relationship between music and embodiment. In analyzing the striking qualities of Boc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©2006.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Le Guin, Elisabeth, |d 1957- | |
| 245 | 1 | 0 | |a Boccherini's body : |b an essay in carnal musicology / |c Elisabeth Le Guin. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c ©2006. | |
| 300 | |a 1 online resource (xxiv, 350 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 504 | |a Includes bibliographical references (pages 331-344) and index. | ||
| 505 | 0 | |a Cello-and-bow thinking : the first movement of Boccherini's Cello sonata in E♭ major, Fuori catalogo -- As my works show me to be : biographical -- Gestures and tableaux -- Virtuosity, virtuality, virtue -- A melancholy anatomy -- It is all cloth of the same piece : the early string quartets -- The perfect listener : a re-creation -- Appendix : chronological table of string quartets. | |
| 520 | |a In this elegant study of the works of the undeservedly neglected composer Luigi Boccherini, Elisabeth Le Guin uses knowledge gleaned from her own playing of the cello as the keystone of her original approach to the relationship between music and embodiment. In analyzing the striking qualities of Boccherini's music--its virtuosity, repetitiveness, obsessively nuanced dynamics, delicate sonorities, and rich palette of melancholy affects--Le Guin develops a historicized critical method based on the embodied experience of the performer. In the process, she redefines the temperament of the musical Enlightenment as one characterized by urgent, volatile inquiries into the nature of the self. --Publisher description. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 600 | 1 | 0 | |a Boccherini, Luigi, |d 1743-1805 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Boccherini, Luigi, |d 1743-1805. |2 cct |
| 600 | 1 | 7 | |a Boccherini, Luigi, |d 1743-1805 |2 fast |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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