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|2 22
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049 |
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|a UAMI
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100 |
1 |
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|a Wager, Jans B.,
|d 1958-
|e author.
|
245 |
1 |
0 |
|a Dames in the driver's seat :
|b rereading film noir /
|c Jans B. Wager.
|
250 |
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|a 1st ed.
|
260 |
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|a Austin :
|b University of Texas Press,
|c 2005.
|
300 |
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|a 1 online resource (ix, 190 pages) :
|b illustrations
|
336 |
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|a text
|b txt
|2 rdacontent
|
337 |
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|a computer
|b c
|2 rdamedia
|
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|a online resource
|b cr
|2 rdacarrier
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347 |
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|a data file
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380 |
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|a Bibliography
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504 |
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|a Includes bibliographical references (pages 173-180) and index.
|
505 |
0 |
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|t Manning the posts: classic noir, postclassic noir, and postmodernism --
|t Sexing the paradigm: women and men in noir --
|t Racing the paradigm: the whiteness of film noir --
|t The killers
|g (1946): quintessential noir? --
|t Out of the past
|g (1947): passive masculinity and active femininities --
|t Kiss me deadly
|g (1955): apocalyptic femmes --
|t L.A. confidential
|g (1997) and Casablanca (1942): does anything change as time goes by? --
|t Mulholland Falls
|g (1996): nuclear noir as numbskull noir --
|t Fight club
|g (1999): retro-noir masquerades as neo-noir --
|t Twilight
|g (1998): age, beauty, and star power: survival of the fittest --
|t Fargo
|g (1996): a woman who is not herself mean: snow-swept highways and Margie --
|t Jackie brown
|g (1997): gender, race, class, and genre --
|g Conclusion:
|t Doing it for bell: cultural criticism and social change.
|
588 |
0 |
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|a Print version record.
|
506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
|
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
546 |
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|a English.
|
590 |
|
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|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Film noir
|x History and criticism.
|
650 |
|
0 |
|a Sex role in motion pictures.
|
650 |
|
0 |
|a Race in motion pictures.
|
650 |
|
0 |
|a Social classes in motion pictures.
|
650 |
|
6 |
|a Films noirs
|x Histoire et critique.
|
650 |
|
6 |
|a Rôle selon le sexe au cinéma.
|
650 |
|
6 |
|a Race au cinéma.
|
650 |
|
6 |
|a Classes sociales au cinéma.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Film noir
|2 fast
|
650 |
|
7 |
|a Race in motion pictures
|2 fast
|
650 |
|
7 |
|a Sex role in motion pictures
|2 fast
|
650 |
|
7 |
|a Social classes in motion pictures
|2 fast
|
650 |
|
7 |
|a Film noir
|2 gnd
|
650 |
|
7 |
|a Geschichte
|2 gnd
|
651 |
|
7 |
|a USA
|2 gnd
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
773 |
0 |
|
|t Project MUSE Evidence Based Acquisitions (EBA)
|d Project MUSE
|
776 |
0 |
8 |
|i Print version:
|a Wager, Jans B., 1958-
|t Dames in the driver's seat.
|b 1st ed.
|d Austin : University of Texas Press, 2005
|z 0292706944
|z 0292709668
|w (DLC) 2005010564
|w (OCoLC)59098865
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7560/706941
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