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Medieval music and the art of memory /
Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©2005.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Berger, Anna Maria Busse. | |
| 245 | 1 | 0 | |a Medieval music and the art of memory / |c Anna Maria Busse Berger. |
| 260 | |a Berkeley : |b University of California Press, |c ©2005. | ||
| 300 | |a 1 online resource (xvi, 288 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 255-279) and index. | ||
| 505 | 0 | |a Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music |y 500-1400 |x History and criticism. | |
| 650 | 0 | |a Music |y 15th century |x History and criticism. | |
| 650 | 0 | |a Composition (Music) |x History. | |
| 650 | 0 | |a Memory. | |
| 650 | 6 | |a Musique |y 500-1400 |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 15e siècle |x Histoire et critique. | |
| 650 | 6 | |a Composition (Musique) |x Histoire. | |
| 650 | 6 | |a Mémoire. | |
| 650 | 7 | |a memory (psychological concept) |2 aat | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a Composition (Music) |2 fast |0 (OCoLC)fst00871761 | |
| 650 | 7 | |a Memory. |2 fast |0 (OCoLC)fst01015913 | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
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| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Gedächtnis |2 gnd | |
| 650 | 7 | |a Komposition |g Musik |2 gnd | |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 650 | 1 | 7 | |a Muziekwerken. |2 gtt |
| 650 | 1 | 7 | |a Herinnering. |2 gtt |
| 648 | 7 | |a 500-1499 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Berger, Anna Maria Busse. |t Medieval music and the art of memory. |d Berkeley : University of California Press, ©2005 |z 0520240286 |w (DLC) 2004016542 |w (OCoLC)55981645 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1pp6pg |z Texto completo |
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