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Cinephilia : movies, love and memory /
Documents the latest generation of cinephiles and their use of new technologies.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
©2005.
|
| Colección: | Film culture in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Cinephilia : |b movies, love and memory / |c edited by Marijke de Valck and Malte Hagener. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c ©2005. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | 0 | |g I. |t The Ramifications of Cinephilia: Theory and History. |t Cinephilia or the Uses of Disenchantment -- |t Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci's The Dreamers -- |t Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture -- |t Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill -- |g II. |t Technologies of Cinephilia: Production and Consumption. |t Remastering Hong Kong Cinema -- |t Drowning in Popcorn at the International Film Festival Rotterdam?: The Festival as a Multiplex of Cinephilia -- |t Ravenous Cinephiles: Cinephilia, Internet, and Online Film Communities -- |t Re-disciplining the Audience: Godard's Rube-Carabinier -- |t The Original Is Always Lost: Film History, Copyright Industries and the Problem of Reconstruction -- |g III. |t Techniques of Cinephilia: Bootlegging and Sampling. |t The Future of Anachronism: Todd Haynes and the Magnificent Andersons -- |t Conceptual Cinephilia: On Jon Routson's Bootlegs -- |t Playing the Waves: The Name of the Game is Dogme95 -- |t The Parenthesis and the Standard: On a Film by Morgan Fisher -- |t The Secret Passion of the Cinephile: Peter Greenaway's A Zed and Two Noughts Meets Adriaan Ditvoorst's De Witte Waan. |
| 520 | |a Documents the latest generation of cinephiles and their use of new technologies. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 546 | |a English. | ||
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| 650 | 0 | |a Motion pictures |x Social aspects. | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 0 | |a Motion picture audiences. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 6 | |a Cinéma |x Histoire. | |
| 650 | 6 | |a Cinéma |x Publics. | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences. |2 fast |0 (OCoLC)fst01027116 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384 | |
| 650 | 7 | |a Konzeption |2 gnd | |
| 650 | 7 | |a Kulturwandel |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 1 | 7 | |a Filmliefhebbers. |2 gtt |
| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
| 651 | 7 | |a New York <NY, 2002> |2 swd | |
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| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01726252 | |
| 655 | 7 | |a Motion pictures. |2 lcgft | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 700 | 1 | |a Valck, Marijke de. | |
| 700 | 1 | |a Hagener, Malte, |d 1971- | |
| 776 | 0 | 8 | |i Print version: |t Cinephilia. |d Amsterdam : Amsterdam University Press, ©2005 |w (DLC) 2005458732 |
| 830 | 0 | |a Film culture in transition. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt45kd32 |z Texto completo |
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