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|a Berger, Arthur,
|d 1912-2003.
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|a Reflections of an American composer /
|c Arthur Berger.
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|a Berkeley :
|b University of California Press,
|c ©2002.
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|a 1 online resource (vii, 270 pages) :
|b illustrations
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|a text
|b txt
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|a data file
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|a Includes bibliographical references and index.
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|a Trends in twentieth-century American composition. Composers and their audience in the thirties ; Nationalism ; Is music in decline? ; Rendezvous with Apollo : form is feeling ; Reinventing the past : pastiche, collage, or "criticism"? ; Serialism : composer as theorist ; Rapprochement or friendly takeover? ; Postmodern music -- Writing about music. Virgil Thomson and the press ; Music on my beat ; PNM and the Ph. D. ; A tale of two critics : Rosenfeld and Haggin -- Aesthetics and musical analysis. Do we hear what we say we hear? ; New linguistic modes and the new theory ; The octatonic scale -- Retrospective. Backstage at the opera ; A tale of two conductors : Koussevitzky and Mitropoulos ; From my diary : brief encounters.
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|a Print version record.
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|a In this collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the 20th century.
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|a English.
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|a Berger, Arthur,
|d 1912-2003.
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|a Berger, Arthur,
|d 1912-2003.
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|a Berger, Arthur,
|d 1912-2003.
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|a Music
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|a Criticism, interpretation, etc.
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|i Print version:
|a Berger, Arthur, 1912-2003.
|t Reflections of an American composer.
|d Berkeley : University of California Press, ©2002
|z 0520232518
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