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|a Harris, Max,
|d 1949-
|e author.
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|a Carnival and other Christian festivals :
|b folk theology and folk performance /
|c by Max Harris.
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|a 1st ed.
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|a Austin :
|b University of Texas Press,
|c 2003.
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|a 1 online resource (xi, 282 pages) :
|b illustrations (some color)
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|a online resource
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|a data file
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|a Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture
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|a Includes bibliographical references (pages 253-269) and index.
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|a Print version record.
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|a pt. 1. Days of Saints and Virgins -- 1. Demons and Dragons (Catalonia) -- 2. Flowers for Saint Tony (Aragon) -- 3. El Mas Chiquito de To' Los Santos (Puerto Rico) -- 4. The Cross-Dressed Virgin on a Tightrope (Mexico) -- 5. A Polka for the Sun and Santiago (Mexico) -- pt. 2. Corpus Christi -- 6. Dancing under Friendly Fire (Catalonia) -- 7. A Confraternity of Jews (Castile -- La Mancha) -- 8. Saint Sebastian and the Blue-eyed Blacks (Peru) -- pt. 3. Carnivals -- 9. A Scattering of Ants (Galicia) -- 10. The Bandit and the Fat Man (Navarre) -- 11. Safe for the Bourgeoisie (Belgium) -- 12. Devils and Decorum (Trinidad) -- 13. The Sins of the Carnival Virgin (Bolivia).
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|f Restrictions unspecified
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|a Publisher's description: With a riotous mix of saints and devils, street theater and dancing, and music and fireworks, Christian festivals are some of the most lively and colorful spectacles that occur in Spain and its former European and American possessions. That these folk celebrations, with roots reaching back to medieval times, remain vibrant in the high-tech culture of the twenty-first century strongly suggests that they also provide an indispensable vehicle for expressing hopes, fears, and desires that people can articulate in no other way. In this book, Max Harris explores and develops principles for understanding the folk theology underlying patronal saints' day festivals, feasts of Corpus Christi, and Carnivals through a series of vivid, first-hand accounts of these festivities throughout Spain and in Puerto Rico, Mexico, Peru, Trinidad, Bolivia, and Belgium. Paying close attention to the signs encoded in folk performances, he finds in these festivals a folk theology of social justice that--however obscured by official rhetoric, by distracting theories of archaic origin, or by the performers' own need to mask their resistance to authority--is often in articulate and complex dialogue with the power structures that surround it. This discovery sheds important new light on the meanings of religious festivals celebrated from Belgium to Peru and on the sophisticated theatrical performances they embody.
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
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|a English.
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|a Fasts and feasts.
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|a Carnivals.
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|a Festivals.
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|a Fêtes foraines.
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|a carnivals (entertainment events)
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|a RELIGION
|x Holidays
|x Christian.
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
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|i Print version:
|a Harris, Max, 1949-
|t Carnival and other Christian festivals.
|b 1st ed.
|d Austin : University of Texas Press, 2003
|z 0292705522
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|a Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture.
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