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The untouched minutes /

"In February 2001, on what started out as a typical Sunday afternoon, Donald Morrill and his wife Lisa Birnbaum became the victims of a home invasion and found themselves faced with the specter of ultimate contingency. In The Untouched Minutes, Morrill recounts and examines the events of that d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morrill, Donald, 1955-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lincoln : University of Nebraska Press, ©2004.
Colección:River teeth literary nonfiction prize (Series)
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The untouched minutes /  |c Donald Morrill. 
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504 |a Includes bibliographical references (page 101). 
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506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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505 0 |a Machine derived contents note: <h2>Contents</h2> -- <DES: This page is optional. I would be inclined not to include it but see -- what you think. I have not provided running heads, as they seem unnecessary.> -- The Untouched Minutes 000 -- Notes 000 -- Acknowledgments 000. 
520 1 |a "In February 2001, on what started out as a typical Sunday afternoon, Donald Morrill and his wife Lisa Birnbaum became the victims of a home invasion and found themselves faced with the specter of ultimate contingency. In The Untouched Minutes, Morrill recounts and examines the events of that day and its aftermath as well as the circumstances surrounding the murders of Dartmouth professors Half and Suzanne Zantop, which occurred the same week." "Set against the unfolding drama of post-9/11 America, The Untouched Minutes explores how violence and the threat of violence color and recast one's assumptions and can plot the course of people facing the unknown, the unknowable, the irredeemable. Morrill presents a memorable portrait of what it means to take back the life that, finally, wasn't taken, and in the process he offers a powerful meditation on terror and security, home and travel, art, race, luck, and our individual places in the wider world."--Jacket 
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