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|a UAMI
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|a Ge, Liangyan.
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|a Out of the margins :
|b the rise of Chinese vernacular fiction /
|c Liangyan Ge.
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|a Honolulu :
|b University of Hawai'i Press,
|c ©2001.
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|a 1 online resource (ix, 293 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a text file
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|b PDF
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|a Includes bibliographical references (pages 261-282) and index.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|t Frontmatter --
|t Contents --
|t Acknowledgments --
|t Note on Chinese Romanization --
|t Introduction --
|t 1. Vernacularization before Shuihu zhuan --
|t 2. Told or Written: That is the Question --
|t 3. The Narrative Pattern: The Uniform versus the Multiform --
|t 4. From Voice to Text: The Orality-Writing Dynamic --
|t 5. The Engine of Narrative Making: Audience, Storytellers, and Shuhui xiansheng --
|t 6. Literary Vernacular and Novelistic Discourse --
|t Notes --
|t Glossary --
|t Selected Bibliography --
|t Index --
|t About the Author.
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|a The novel Water Margin (Shuihu zhuan), China's earliest full-length narrative in vernacular prose, first appeared in print in the sixteenth century. The tale of one hundred and eight bandit heroes evolved from a long oral tradition; in its novelized form, it played a pivotal role in the rise of Chinese vernacular fiction, which flourished during the late Ming (1368-1644) and Qing (1644-1911) periods. Liangyan Ge's multidimensional study considers the evolution of Water Margin and the rise of vernacular fiction against the background of the vernacularization of premodern Chinese literature as a whole. This gradual and arduous process, as the book convincingly shows, was driven by sustained contact and interaction between written culture and popular orality. Ge examines the stylistic and linguistic features of the novel against those of other works of early Chinese vernacular literature (stories, in particular), revealing an accretion of features typical of different historical periods and a prolonged and cumulative process of textualization. In addition to providing a meticulous philological study, his work offers a new reading of the novel that interprets some of its salient characteristics in terms of the interplay between audience, storytellers, and men of letters associated with popular orality.
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|a In English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Shui hu zhuan.
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|a Shui hu zhuan
|2 fast
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|a LITERARY CRITICISM
|x Asian
|x General.
|2 bisacsh
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|a LITERARY CRITICISM
|x Asian
|x Chinese.
|2 bisacsh
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|i Print version:
|a Ge, Liangyan.
|t Out of the margins.
|d Honolulu : University of Hawai'i Press, ©2001
|z 0824823702
|w (DLC) 2001027357
|w (OCoLC)46393546
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wr0tj
|z Texto completo
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