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Empire of emptiness : Buddhist art and political authority in Qing China /
Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Honolulu :
University of Hawaii Press,
2003.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Berger, Patricia Ann, |e author. | |
| 245 | 1 | 0 | |a Empire of emptiness : |b Buddhist art and political authority in Qing China / |c Patricia Berger. |
| 260 | |a Honolulu : |b University of Hawaii Press, |c 2003. | ||
| 300 | |a 1 online resource (viii, 266 pages) : |b illustrations (some color), map | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 239-251) and index. | ||
| 505 | 0 | |a Like a cloudless sky -- When words collide -- Artful collecting -- Remembering the future -- Pious copies -- Resemblance and recognition. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows just how central images were in the carefully reasoned rhetoric the court directed toward its Buddhist allies in inner Asia. The multilingual, culturally fluid Qing emperors put an extraordinary range of visual styles into practice--Chinese, Tibetan, Nepalese, and even the European Baroque brought to the court by Jesuit artists. Their pictorial, sculptural, and architectural projects escape easy analysis and raise questions about the difference between verbal and pictorial description, the ways in which overt and covert meaning could be embedded in images through juxtaposition and collage, and the collection and criticism of paintings and calligraphy that were intended as supports for practice and not initially as works of art. | ||
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| 650 | 0 | |a Buddhist art |z China. | |
| 650 | 0 | |a Buddhist art and symbolism |z China. | |
| 650 | 0 | |a Art, Chinese |y Qing dynasty, 1644-1912. | |
| 650 | 0 | |a Art and state |z China |x History. | |
| 650 | 0 | |a Buddhism |z China |z Tibet Autonomous Region |x Influence. | |
| 650 | 6 | |a Art bouddhique |z Chine. | |
| 650 | 6 | |a Art |x Politique gouvernementale |z Chine |x Histoire. | |
| 650 | 7 | |a ART |x Asian. |2 bisacsh | |
| 650 | 7 | |a ART |x Art & Politics. |2 bisacsh | |
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| 650 | 7 | |a Buddhist art |2 fast | |
| 650 | 7 | |a Buddhist art and symbolism |2 fast | |
| 650 | 7 | |a Qing Dynasty (China) |2 fast | |
| 651 | 7 | |a China |2 fast | |
| 651 | 7 | |a China |z Tibet Autonomous Region |2 fast | |
| 648 | 7 | |a 1644-1912 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Berger, Patricia Ann. |t Empire of emptiness. |d Honolulu : University of Hawaii Press, 2003 |z 0824825632 |w (DLC) 2002009067 |w (OCoLC)50002340 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wr2tf |z Texto completo |
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