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Configurations of comparative poetics : three perspectives on Western and Chinese literary criticism /
This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the natu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Honolulu :
University of Hawaiʻi Press,
©2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cai, Zong-qi, |d 1955- |e author. | |
| 245 | 1 | 0 | |a Configurations of comparative poetics : |b three perspectives on Western and Chinese literary criticism / |c Zong-qi Cai. |
| 260 | |a Honolulu : |b University of Hawaiʻi Press, |c ©2002. | ||
| 300 | |a 1 online resource (xii, 360 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 317-345) and index. | ||
| 505 | 0 | 0 | |t Major Chinese Dynasties -- |t Macrocosmic Structures of Western and Chinese Poetics -- |t The Orientation of Western Poetics: Conceptualizing Literature as Truth, Untruth, or Antitruth -- |t The Orientation of Chinese Poetics: Conceptualizing Literature as a Harmonizing Process -- |t Early Chinese Worldviews and Concepts of Literature -- |t The Systematics of Western and Chinese Poetics: Common Denominators, Differentiae, and Cosmological Paradigms -- |t Microcosmic Textures of Western and Chinese Poetics -- |t Poetics of Harmony: Plato and Confucius on Poetry -- |t Poetics of Imagination: Wordsworth and Liu Xie on Literary Creation -- |t Poetics of Dynamic Force: Fenollosa, Pound, and Chinese Critics on the Chinese Written Character -- |t Poetics of Deconstruction: Derrida and Madhyamika Buddhists on Language and Ontotheologies -- |t Epilogue: Reflections: Intracultural, Cross-cultural, and Transcultural Perspectives on Western and Chinese Literary Criticism. |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 520 | |a This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 650 | 0 | |a Poetics. | |
| 650 | 0 | |a Comparative literature |x Chinese and Western. | |
| 650 | 0 | |a Comparative literature |x Western and Chinese. | |
| 650 | 6 | |a Poétique. | |
| 650 | 6 | |a Littérature comparée |x Chinoise et occidentale. | |
| 650 | 6 | |a Littérature comparée |x Occidentale et chinoise. | |
| 650 | 7 | |a TRAVEL |x Special Interest |x Literary. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 0 | 7 | |a Poetics. |2 cct |
| 650 | 0 | 7 | |a Literature, Comparative |x Chinese and Western. |2 cct |
| 650 | 0 | 7 | |a Literature, Comparative |x Western and Chinese. |2 cct |
| 650 | 7 | |a Comparative literature |x Chinese and Western |2 fast | |
| 650 | 7 | |a Comparative literature |x Western and Chinese |2 fast | |
| 650 | 7 | |a Poetics |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cai, Zong-qi, 1955- |t Configurations of comparative poetics. |d Honolulu : University of Hawaiʻi Press, ©2002 |z 0824823389 |w (DLC) 2001041522 |w (OCoLC)47142120 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wqcnn |z Texto completo |
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