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|a UAMI
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|a Rodowick, David Norman,
|e author.
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|a Reading the figural, or, Philosophy after the new media /
|c D.N. Rodowick.
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|a Philosophy after the new media
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|a Durham :
|b Duke University Press,
|c 2001.
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|a 1 online resource (xviii, 276 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
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|b PDF
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|a Post-contemporary interventions
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|a Includes bibliographical references (pages 259-267) and index.
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|a Print version record.
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|a 1. Presenting the Figural: The Idea of the Figural. Lyotard's Leap into the Void: The Aesthetic before the New Media. Paradoxes of the Visual, or Philosophy after the New Media -- 2. Reading the Figural: Rehearsing the Figural. Foucault through Deleuze, or The Diagrammatics of Power . Reading the Figural. The End of Modernism -- 3. The Figure and the Text. Film and the Scene of Writing: "With dreams displaced into a forest of script". Hieroglyphics, Montage, Enunciation -- 4. The Ends of the Aesthetic -- 5. The Historical Image: A Plea for the Dead. Social Hieroglyphs and the Optics of History. The Antinomic Character of Time. Anteroom Thinking, or "The Last Things before the Last" -- 6. A Genealogy of Time: Two Stories of 1968. Two Audiovisual Regimes: The Movement-Image and Time-Image. The Ends of the Dialectic and the Return of History: Hegel and Nietzsche. Genealogy, Countermemory, Event -- 7. An Uncertain Utopia: Digital Culture. An Image of Technological Abundance. A Digression on Postmodernism. Three Questions concerning Digital Culture. An Impossible Ideal of Power.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Theorizes the concept of the figural as a way to get beyond the long held aesthetic distinction between plastic and linguistic arts, a distinction that will not work for film and new media.
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Mass media
|x Philosophy.
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|a Visual communication.
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|a Semiotics.
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|a Aesthetics.
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|a Médias
|x Philosophie.
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|a Esthétique.
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|a Communication visuelle.
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|a Sémiotique.
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|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
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|a Aesthetics.
|2 fast
|0 (OCoLC)fst00798702
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|a Mass media
|x Philosophy.
|2 fast
|0 (OCoLC)fst01011275
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|a Semiotics.
|2 fast
|0 (OCoLC)fst01112351
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|a Visual communication.
|2 fast
|0 (OCoLC)fst01167997
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|a Philosophie
|2 gnd
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|a Neue Medien
|2 gnd
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|a Beeldcultuur.
|2 gtt
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|a Esthetica.
|2 gtt
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|a Mediakunst.
|2 gtt
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|a Semiotiek.
|2 gtt
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|a Médias
|x Philosophie.
|2 ram
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|a Esthétique.
|2 ram
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|a Communication visuelle.
|2 ram
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|a Sémiotique.
|2 ram
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776 |
0 |
8 |
|i Print version:
|a Rodowick, David Norman.
|t Reading the figural, or, Philosophy after the new media.
|d Durham : Duke University Press, 2001
|z 0822327112
|w (DLC) 2001023111
|w (OCoLC)45879744
|
830 |
|
0 |
|a Post-contemporary interventions.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv113124p
|z Texto completo
|
938 |
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|a De Gruyter
|b DEGR
|n 9780822380764
|
938 |
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|a EBL - Ebook Library
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