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Black & white & noir : America's pulp modernism /
Black & White & Noir explores America's pulp modernism through penetrating readings of the noir sensibility lurking in an eclectic array of media: Office of War Information photography, women's experimental films, and African-American novels, among others. It traces the dark edges...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
©2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rabinowitz, Paula. | |
| 245 | 1 | 0 | |a Black & white & noir : |b America's pulp modernism / |c Paula Rabinowitz. |
| 246 | 3 | |a Black and white and noir | |
| 260 | |a New York : |b Columbia University Press, |c ©2002. | ||
| 300 | |a 1 online resource (xiv, 308 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references (pages 245-293) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Preface and Acknowledgments -- |t Introduction: on Pulp Modernism -- |t Part 1. Black Rooms and Rage -- |t Chapter 1. Already Framed: Esther Bubley Invents Noir -- |t Chapter 2. Domestic Labor: Film Noir, Proletarian Literature, and Black Women'S Fiction -- |t Chapter 3. Double Cross: Wri(Gh)Ting as the Outsider -- |t Part 2. White Work And Memory -- |t Chapter 4. Blanc Noir: Rural Pulp And Documentary Modernism -- |t Chapter 5. Melodrama/Male Drama: The Sentimental Contract of American Labor Films -- |t Chapter 6. Not "Just the Facts, Ma'Am": Social Workers as Private Eyes -- |t Part 3. Noir Household Objects -- |t Chapter 7. Barbara Stanwyck's Anklet -- |t Chapter 8. Medium Uncool: Avant-Garde Film and Uncanny Feminism -- |t Chapter 9. Mapping Noir -- |t Notes -- |t Index. |
| 520 | |a Black & White & Noir explores America's pulp modernism through penetrating readings of the noir sensibility lurking in an eclectic array of media: Office of War Information photography, women's experimental films, and African-American novels, among others. It traces the dark edges of cultural detritus blowing across the postwar landscape, finding in pulp a political theory that helps explain America's fascination with lurid spectacles of crime. We are accustomed to thinking of noir as a film form popularized in movies like The Maltese Falcon, The Big Sleep, and, more recently, Quentin Tarantino's Pulp Fiction. But it is also, Paula Rabinowitz argues, an avenue of social and political expression. This book offers an unparalleled historical and theoretical overview of the noir shadows cast when the media's glare is focused on the unseen and the unseemly in our culture. Through far-ranging discussions of the Starr Report, movies such as Double Indemnity and The Big Heat, and figures as various as Barbara Stanwyck, Kenneth Fearing, and Richard Wright, Rabinowitz finds in film noir the representation of modern America's attempt to submerge and mask its violent history of racial and class anatagonisms. Black & White & Noir also explores the theory and practice of stilettos, the ways in which girls in the 1950s viewed film noir as a secret language about their mothers' pasts, the extraordinary tone-setting photographs of Esther Bubley, and the smutty aspect of social workers' case studies, among other unexpected twists and provocative turns. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Film noir |z United States |x History and criticism. | |
| 650 | 0 | |a Popular culture |z United States |x History |y 20th century. | |
| 650 | 4 | |a Music, Dance, Drama & Film. | |
| 650 | 4 | |a Film. | |
| 650 | 6 | |a Films noirs |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Culture populaire |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Film noir |2 fast | |
| 650 | 7 | |a Popular culture |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Rabinowitz, Paula. |t Black & white & noir. |d New York : Columbia University Press, ©2002 |z 023111480X |w (DLC) 2002019270 |w (OCoLC)48942734 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/rabi11480 |z Texto completo |
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