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|a Heffernan, Nick,
|e author.
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| 245 |
1 |
0 |
|a Capital, class, and technology in contemporary American culture :
|b projecting post-Fordism /
|c Nick Heffernan.
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| 246 |
1 |
4 |
|a Capital, class & technology in contemporary American culture
|
| 264 |
|
1 |
|a London ;
|a Sterling, Va. :
|b Pluto Press,
|c 2000.
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| 300 |
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|a 1 online resource (volumes, 250 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
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| 338 |
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|a online resource
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|0 http://rdaregistry.info/termList/RDAColourContent/1003
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| 347 |
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|a data file
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| 504 |
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|a Includes bibliographical references (pages 230-243) and index.
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| 506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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| 533 |
|
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
| 538 |
|
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
| 583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 520 |
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|b In the tradition of Mike Davis and Fredric Jameson, Nick Heffernan engages in a series of meditations on capital, class and technology in contemporary America. He turns to the stories we generate and tell ourselves - via fiction, film journalism, theory - to see how change is registered. By investigating a variety of texts, he observes how structural change affects the way people organise their lives economically, socially and culturally. Case studies include Ridley Scott's Blade Runner, William Gibson's cyberspace trilogy, Thomas Pynchon's The Crying of Lot 49, and Wim Wenders's Until the End of the World. Using the links between narrative cultural forms and the process of historical understanding, he brings together debates that have so far been conducted largely within the separate domains of political economy, social theory and cultural criticism to provide a compelling analysis of contemporary cultural change. By relocating postmodernism in the context of changing modes of capitalism, Heffernan puts the question of class and class agency back at the centre of the critical agenda.
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| 546 |
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|a English.
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| 588 |
0 |
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|a Online resource; title from PDF title page (viewed January 18, 2021).
|
| 590 |
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|a JSTOR
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| 590 |
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| 651 |
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|a United States
|x Social conditions
|y 1980-2020.
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| 650 |
|
0 |
|a Social change
|z United States.
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| 650 |
|
0 |
|a Capitalism
|z United States.
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| 650 |
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0 |
|a Postmodernism
|x Social aspects
|z United States.
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| 650 |
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| 650 |
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| 650 |
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| 651 |
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| 650 |
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|a SOCIAL SCIENCE
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|x Cultural.
|2 bisacsh
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| 650 |
|
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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| 650 |
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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| 650 |
|
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|a POLITICAL SCIENCE
|x Political Ideologies
|x Democracy.
|2 bisacsh
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| 650 |
|
7 |
|a Capitalism.
|2 fast
|0 (OCoLC)fst00846425
|
| 650 |
|
7 |
|a Postmodernism
|x Social aspects.
|2 fast
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| 650 |
|
7 |
|a Social change.
|2 fast
|0 (OCoLC)fst01122310
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| 650 |
|
7 |
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|2 fast
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| 651 |
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| 650 |
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| 648 |
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8 |
|i Print version:
|a Heffernan, Nick.
|t Capital, class, and technology in contemporary American culture.
|d London ; Sterling, Va. : Pluto Press, 2000
|z 0745311059
|w (DLC) 00009740
|w (OCoLC)44172803
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