Modern theories of art. 2, From impressionism to Kandinsky /

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In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and recept...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Barasch, Moshe (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, ©1998.
Temas:
1800-1999
Art > Philosophy.
Aesthetics, Modern > 19th century.
Aesthetics, Modern > 20th century.
Impressionism (Art)
Empathy in art.
Primitivism in art.
Art, Abstract.
Art > Philosophie.
Esthétique > 19e siècle.
Esthétique > 20e siècle.
Impressionnisme (Art)
Empathie dans l'art.
ART > General.
ART > Criticism & Theory.
Aesthetics, Modern
Art, Abstract
Art > Philosophy
Empathy in art
Primitivism in art
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • I. Impressionism
  • 1. Introduction: The Crisis of Realism
  • 2. Aesthetic Culture in the Literature of the Time
  • 3. Impressionism and the Philosophical Culture of the Time
  • 4. Science and Painting
  • 5. Impressionism: Reflections on Style
  • 6. The Fragment as Art Form.
  • II. Empathy
  • 7. Introduction: An Empathy Tradition in the Theory of Art
  • 8. Gustav Fechner
  • 9. Charles Darwin: The Science of Expression
  • 10. Robert Vischer
  • 11. Empathy: Toward a Definition
  • 12. Wilhelm Dilthey
  • 13. Conrad Fiedler
  • 14. Adolf Hildebrand
  • 15. Alois Riegl
  • 16. Wilhelm Worringer: Abstraction and Empathy.
  • III. Discovering the Primitive
  • 17. Introduction: Conditions of Modern Primitivism
  • 18. The Beginnings of Scholarly Study: Gottfried Semper
  • 19. Discovering Prehistoric Art
  • 20. Understanding Distant Cultures: The Case of Egypt
  • 21. Gauguin
  • 22. African Art.
  • IV. Abstract Art
  • 23. Abstract Art: Origins and Sources
  • 24. The Subject Matter of Abstract Painting
  • 25. Color
  • 26. Line
  • 27. Composition and Harmony
  • Bibliographical Essay.

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