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Gender on the market : Moroccan women and the revoicing of tradition /

Selected by Choice magazine as an Outstanding Academic Book for 1996Gender on the Market is a study of Moroccan women's expressive culture and the ways in which it both determines and responds to current transformations in gender roles. Beginning with women's emergence into what has been d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kapchan, Deborah A. (Deborah Anne)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, ©1996.
Colección:New cultural studies.
Series in contemporary ethnography.
Publications of the American Folklore Society. New series (Unnumbered)
Temas:
Acceso en línea:Texto completo

MARC

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504 |a Includes bibliographical references (pages 299-320) and indexes. 
588 0 |a Print version record. 
505 0 |a Acknowledgments: Possession by Three Spirits -- Introduction: The Dialogic Enterprise of Women in Changing Social Contexts -- pt. 1. Women in the Market. Ch. 1. In the Place of the Market. Ch. 2. Shtara: Competence in Cleverness. Ch. 3. Words of Possession, Possession of Words: The Majduba. Ch. 4. Words About Herbs: Feminine Performance of Oratory in the Marketplace. Ch. 5. Reporting the New, Revoicing the Past: Marketplace Oratory and the Carnivalesque -- pt. 2. Gender on the Market. Ch. 6. Women on the Market: The Subversive Bride. Ch. 7. Catering to the Sexual Market: Female Performers Defining the Social Body. Ch. 8. Property in the (Other) Person: Mothers-in-Law, Working Women, and Maids. Ch. 9. Terms of Talking Back: Women's Discourse on Magic. Ch. 10. Conclusion: Hybridization and the Marketplace -- Appendix 1: Discourse of the Majduba -- Appendix 2: Discourse of the 'Ashshaba. 
546 |a English. 
520 |a Selected by Choice magazine as an Outstanding Academic Book for 1996Gender on the Market is a study of Moroccan women's expressive culture and the ways in which it both determines and responds to current transformations in gender roles. Beginning with women's emergence into what has been defined as the most paradigmatic of Moroccan male institutions--the marketplace--the book elucidates how gender and commodity relations are experienced and interpreted in women's aesthetic practices. Deborah Kapchan compellingly demonstrates that Moroccan women challenge some of the most basic cultural assumptions of their society--especially ones concerning power and authority. 
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