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May all your fences have gates : essays on the drama of August Wilson /

This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Nadel, Alan, 1947- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Iowa City, IA : University of Iowa Press, ©1994.
Colección:UPCC book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a May all your fences have gates :  |b essays on the drama of August Wilson /  |c edited by Alan Nadel. 
260 |a Iowa City, IA :  |b University of Iowa Press,  |c ©1994. 
300 |a 1 online resource (x, 270 pages) :  |b illustrations 
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338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama. The collection includes essays by virtually all the scholars who have currently published on Wilson a. 
505 0 |a Preface; Introduction; The History Lesson: Authenticity and Anachronism in August Wilson's Plays; August Wilson's Burden: The Function of Neoclassical Jazz; Speaking of Ma Rainey / Talking about the Blues; Filling the Time: Reading History in the Drama of August Wilson; Boundaries, Logistics, and Identity: The Property of Metaphor in Fences and Joe Turner? Come and Gone; Ghosts on the Piano: August Wilson and the Representation of Black American History; American History as "Loud Talking" in Two Trains Running; Romare Bearden, August Wilson, and the Traditions of African Performance. 
588 0 |a Print version record. 
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600 1 7 |a Wilson, August  |d 1945-2005  |2 gnd 
600 1 7 |a Wilson, August.  |2 swd 
650 0 |a Historical drama, American  |x History and criticism. 
650 0 |a African Americans in literature. 
650 6 |a Noirs américains dans la littérature. 
650 7 |a DRAMA  |x American.  |2 bisacsh 
650 7 |a DRAMA  |x American  |x General.  |2 bisacsh 
650 7 |a African Americans in literature  |2 fast 
650 7 |a Historical drama, American  |2 fast 
650 7 |a Bibliografie  |2 gnd 
650 7 |a Aufsatzsammlung  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Nadel, Alan,  |d 1947-  |e editor. 
776 0 8 |i Print version:  |t May all your fences have gates.  |d Iowa City, IA : University of Iowa Press, ©1994  |z 0877454280  |w (DLC) 93034628  |w (OCoLC)28888784 
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