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|a PN1995.9.W6
|b F465 1999eb
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|a UAMI
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| 245 |
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|a Feminist film theory :
|b a reader /
|c edited and introduced by Sue Thornham.
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| 264 |
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1 |
|a Edinburgh :
|b Edinburgh University Press,
|c 2011.
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|c ©1999
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| 300 |
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|a 1 online resource (vi, 361 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references (pages 350-351) and index.
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|a pt. I. Taking up the Struggle. 1. The Image of Women in Film: Some Suggestions for Future Research / Sharon Smith. 2. The Woman's Film / Molly Haskell. 3. Women's Cinema as Counter-Cinema / Claire Johnston. 4. The Crisis of Naming in Feminist Film Criticism / B. Ruby Rich -- pt. II. The Language of Theory. 5. Visual Pleasure and Narrative Cinema / Laura Mulvey. 6. Caught and Rebecca: The Inscription of Femininity as Absence / Mary Ann Doane. 7. Oedipus Interruptus / Teresa de Lauretis. 8. Lost Objects and Mistaken Subjects / Kaja Silverman -- pt. III. The Female Spectator. 9. Women and Film: A Discussion of Feminist Aesthetics / Michelle Citron, Julia Lesage and Judith Mayne / [and others]. 10. Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by King Vidor's Duel in the Sun (1946) / Laura Mulvey. 11. Film and the Masquerade: Theorising the Female Spectator / Mary Ann Doane. 12. Women's Genres: Melodrama, Soap Opera and Theory / Annette Kuhn -- pt. IV. Textual Negotiations. 13. Pleasurable Negotiations / Christine Gledhill. 14. Video Replay: Families, Films and Fantasy / Valerie Walkerdine. 15. Feminine Fascinations: Forms of Identification in Star-Audience Relations / Jackie Stacey. 16. Taboos and Totems: Cultural Meanings of The Silence of the Lambs / Janet Staiger -- pt. V. Fantasy, Horror and the Body. 17. Her Body, Himself: Gender in the Slasher Film / Carol J. Clover. 18. Horror and the Monstrous-Feminine: An Imaginary Abjection / Barbara Creed. 19. Film Bodies: Gender, Genre and Excess / Linda Williams -- pt. VI. Re-thinking Differences. 20. White Privilege and Looking Relations: Race and Gender in Feminist Film Theory / Jane Gaines. 21. The Oppositional Gaze: Black Female Spectators / bell hooks. 22. Cinema and the Dark Continent: Race and Gender in Popular Film / Tania Modleski. 23. Gender is Burning: Questions of Appropriation and Subversion / Judith Butler.
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|a Print version record.
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| 546 |
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|a English.
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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| 650 |
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|a Feminism and motion pictures.
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| 650 |
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|a Women in motion pictures.
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| 650 |
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0 |
|a Feminist film criticism.
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| 650 |
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|a Féminisme et cinéma.
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| 650 |
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|a Femmes au cinéma.
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| 650 |
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|a Critique cinématographique féministe.
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| 650 |
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|a Livres numériques.
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| 650 |
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|a e-books.
|2 aat
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| 650 |
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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| 650 |
|
7 |
|a Feminism and motion pictures.
|2 fast
|0 (OCoLC)fst00922742
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| 650 |
|
7 |
|a Feminist film criticism.
|2 fast
|0 (OCoLC)fst00922776
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| 650 |
|
7 |
|a Women in motion pictures.
|2 fast
|0 (OCoLC)fst01177931
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| 700 |
1 |
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|a Thornham, Sue,
|e editor,
|e author of the introduction.
|
| 776 |
0 |
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|i Print version:
|t Feminist film theory.
|d Edinburgh : Edinburgh University Press, ©1999
|z 0748609598
|w (OCoLC)41568274
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctvxcrtm8
|z Texto completo
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