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Open access musicology. Volume two /

Open Access Musicology (OAM) publishes peer-reviewed, scholarly essays primarily intended to serve students and teachers of music history, ethno/musicology, and music studies. The constantly evolving collection ensures that recent research and scholarship inspires classroom practice. OAM essays prov...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Epstein, Louis K. (Editor ), Barolsky, Daniel (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Amherst, Massachusetts] : Lever Press, [2022]
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Open access musicology.  |n Volume two /  |c edited by Louis Epstein and Daniel Barolsky. 
246 3 0 |a Open access musicology.  |n Volume 2 
264 1 |a [Amherst, Massachusetts] :  |b Lever Press,  |c [2022] 
264 4 |c Ã2022 
300 |a 1 online resource (x, 189 pages) :  |b illustrations (some color), color maps, music 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references. 
506 |a Open access.  |5 MiU 
520 3 |a Open Access Musicology (OAM) publishes peer-reviewed, scholarly essays primarily intended to serve students and teachers of music history, ethno/musicology, and music studies. The constantly evolving collection ensures that recent research and scholarship inspires classroom practice. OAM essays provide diverse and methodologically transparent models for student research, and introduce different modes of inquiry to inspire classroom discussion and varied assignments. Addressing a range of histories, methods, voices, and sounds, OAM embraces changes and tensions in the field to help students understand music scholarship. Volume 2 of OAM expands the disciplinary, topical, and geographical ranges of our endeavor, with essays that rely on ethnographic and music theoretical methods as well as historical ones. The essays in this volume touch on music from Europe, South America, and Asia, spanning the 16th century to the present. Throughout, the contributing authors situate music in political, religious, racial, economic, and other cultural and disciplinary contexts. This volume therefore expands what scholars generally mean when they refer to "musicology" and "music," always with an eye toward relevance and accessibility. 
542 |f This work is licensed under the Creative Commons Attribution Non-Commercial-NoDerivatives  |u https://creativecommons.org/licenses/by-nc-nd/4.0 
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700 1 |a Epstein, Louis K.,  |e editor. 
700 1 |a Barolsky, Daniel,  |e editor. 
710 2 |a Lever Press,  |e publisher. 
710 2 |a Michigan Publishing (University of Michigan),  |e issuing body. 
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