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Negative, nonsensical, and non-conformist : the films of Suzuki Seijun /

In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan's most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Yacavone, Peter A. (Peter Andrew), 1978- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor, Michigan : University of Michigan Press, 2023.
Colección:Michigan monograph series in Japanese studies ; no. 99.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Yacavone, Peter A.  |q (Peter Andrew),  |d 1978-  |e author  |1 https://orcid.org/0000-0002-0332-2377 
245 1 0 |a Negative, nonsensical, and non-conformist :  |b the films of Suzuki Seijun /  |c Peter A. Yacavone. 
246 3 0 |a Films of Suzuki Seijun 
264 1 |a Ann Arbor, Michigan :  |b University of Michigan Press,  |c 2023. 
264 4 |c ©2023 
300 |a 1 online resource (402 pages) :  |b illustrations (chiefly color), portraits 
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490 1 |a Michigan Monograph Series in Japanese Studies ;  |v number 99 
504 |a Includes bibliographical references (pages 379-396) and index. 
542 1 |f This work is licensed under the Creative Commons Attribution-Non-Commercial 4.0 International License  |u https://creativecommons.org/licenses/by-nc/4.0 
520 3 |a In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan's most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki's 49 feature films. 
588 |a Description based on information from the publisher. 
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600 1 0 |a Suzuki, Seijun,  |d 1923-2017  |x Criticism and interpretation. 
610 2 0 |a Nikkatsu Kabushiki Kaisha  |x History  |y 20th century. 
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650 0 |a Exploitation films  |z Japan  |x History  |y 20th century. 
650 0 |a Horror films  |z Japan  |x History  |y 20th century. 
650 0 |a Experimental films  |z Japan  |x History  |y 20th century. 
650 6 |a Films d'exploitation  |z Japon  |x Histoire  |y 20e siècle. 
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651 7 |a Japan  |2 fast 
648 7 |a 1900-1999  |2 fast 
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655 7 |a History  |2 fast 
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830 0 |a Michigan monograph series in Japanese studies ;  |v no. 99. 
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