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The song is not the same: Jews and American popular music. An Annual Report Volume 8 /
This volume of the Casden Institute's The Jewish Role in American Life annual series introducesnew scholarship on the long-standing relationship between Jewish-Americans and the worlds ofAmerican popular music. Edited by scholar and critic Josh Kun, the essays in the volume blendsingle-artist i...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
West lafayette :
Purdue University Press,
2011.
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| Colección: | The Jewish Role in American Life: An Annual Review
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The song is not the same: |b Jews and American popular music. An Annual Report |n Volume 8 / |c Bruce Zuckerman, John Kun, Lisa Ansell |
| 260 | |a West lafayette : |b Purdue University Press, |c 2011. | ||
| 300 | |a 1 online resource (x,172 pages) | ||
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| 490 | 0 | |a The Jewish Role in American Life: An Annual Review | |
| 520 | |a This volume of the Casden Institute's The Jewish Role in American Life annual series introducesnew scholarship on the long-standing relationship between Jewish-Americans and the worlds ofAmerican popular music. Edited by scholar and critic Josh Kun, the essays in the volume blendsingle-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams,from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness,from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddishexperiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction(Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet-Music Trade" (Jody Rosen); “'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford’s Old Time Music and DanceRevival" (Peter La Chapelle); “Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat-Singing, Jazz Jargon, and Black Music" (Jonathan Z. S. Pollack); "'If I Embarrass You, TellYour Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here’s aforeign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan"(David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: MusicalHybridity in Radical Jewish Culture" (Jeff Janeczco). | ||
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| 650 | 0 | |a Popular music |z United States |x Jewish influences. | |
| 650 | 0 | |a Popular music |z United States |x History and criticism. | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 650 | 7 | |a Popular music |x Jewish influences. |2 fast |0 (OCoLC)fst01752056 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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