The red years of Cahiers du cinéma (1968-1973). Volume I, Ideology and politics /
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinéma' embarked on a militant turn that would govern the journal's work over the next five ye...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
[2021]
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Colección: | Film culture in transition.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Table of Contents
- Acknowledgements
- A Note on Translations
- Introduction
- Part I. Theories of Ideology
- Introduction
- 1. "Cinéma/Idéologie/Critique": An Epistemological Break?
- 2. Jean-Louis Comolli and Jean Narboni: Crossed Lives
- 3. Décalages: "Young Mr. Lincoln de John Ford"
- 3. Décalages: "Young Mr. Lincoln de John Ford"
- 5. "Technique et Idéologie" by Jean-Louis Comolli
- 6. Afterlives of the Apparatus
- Part II. Engagements with Politics
- Introduction
- 7. The Radicalization of Cahiers: 1963-1969
- 8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971
- 9. Cahiers du cinéma's Turn to Maoism: 1971-1973
- 10. Cahiers du cinéma and Jean-Luc Godard
- 11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981
- 12. Bernard Eisenschitz: Cinema, Communism and History
- 13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema