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Ink-stained Hollywood : the triumph of American cinema's trade press /

"For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business--a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of the emerging giant Exhibitor's Herald, conspired with...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hoyt, Eric (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2022]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hoyt, Eric,  |e author. 
245 1 0 |a Ink-stained Hollywood :  |b the triumph of American cinema's trade press /  |c Eric Hoyt. 
263 |a 2203 
264 1 |a Oakland, California :  |b University of California Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Remaking film journalism in the mid-1910s -- Trade papers at war -- The independent exhibitor's pal : localizing, specializing, and expanding the exhibitor paper -- Coastlander reading : the cultures and trade papers of 1920s Los Angeles -- Chicago takes New York : the consolidation of the nationals -- The great diffusion : Hollywood's reporters, exhibitor backlash, and Quigley's failed monopoly -- Epilogue. 
520 |a "For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business--a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of the emerging giant Exhibitor's Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture--taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism's relationship with the motion picture industry and its continued impact on creative industries today"--  |c Provided by publisher. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
590 |a JSTOR  |b Books at JSTOR Open Access 
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650 0 |a Journalism and motion pictures. 
650 0 |a Motion picture industry  |z California  |z Los Angeles  |x History  |y 20th century. 
650 6 |a Presse et cinéma. 
650 6 |a Cinéma  |x Industrie  |z Californie  |z Los Angeles  |x Histoire  |y 20e siècle. 
650 7 |a Performing Arts / Film / History & Criticism.  |2 bisacsh 
650 7 |a Social Science / Media Studies.  |2 bisacsh 
650 7 |a History / United States / 20th Century.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism  |2 bisacsh 
650 7 |a Journalism and motion pictures  |2 fast 
650 7 |a Motion picture industry  |2 fast 
651 7 |a California  |z Los Angeles  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Hoyt, Eric.  |t Ink-stained Hollywood  |d Oakland, California : University of California Press, [2022]  |z 9780520383692  |w (DLC) 2021040705 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2rb75g6  |z Texto completo 
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