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Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s /
In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor, Michigan :
University of Michigan Press,
2021.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stone, Jonathan W., |e author. | |
| 245 | 1 | 0 | |a Listening to the Lomax Archive : |b the sonic rhetorics of African American folksong in the 1930s / |c Jonathan W. Stone. |
| 264 | 1 | |a Ann Arbor, Michigan : |b University of Michigan Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xvii, 232 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 221-232) and index. | ||
| 520 | 3 | |a In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content | |
| 536 | |a Sponsored by the National Endowment for the Humanities and the University of Utah's Department of Writing & Rhetoric Studies and J. Willard Marriott Library | ||
| 542 | 1 | |f This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License |u https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| 588 | 0 | |a Information from the publisher. | |
| 505 | 0 | |a For Pete's sake : Audio preface -- Introduction : Finding folkness in the rhetorical tradition (Turn, turn, turn) -- Interlude I : Resimplifications -- Sonic rhetorical historiography : Reorienting authenticity during the Interwar period -- Rhetoric, representation, and race in the Lomax prison recordings -- Interlude II : Oral history's exigence -- Inventing jazz : Jelly Roll Morton and the sonic rhetorics of hot musical performance -- Interlude III : Popular front education -- Folksong on the radio : The sound of broadcast democracy on Columbis' American School of the Air -- Conclusion : Hearing the Lomax Archive -- Appendix : List of audio resources. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 600 | 1 | 0 | |a Lomax, John A. |q (John Avery), |d 1867-1948. |
| 600 | 1 | 0 | |a Lomax, Alan, |d 1915-2002. |
| 600 | 1 | 1 | |a Lomax, Alan, |d 1915-2002. |
| 600 | 1 | 1 | |a Lomax, John A. |q (John Avery), |d 1867-1948. |
| 600 | 1 | 7 | |a Lomax, Alan, |d 1915-2002. |2 fast |0 (OCoLC)fst00013477 |
| 600 | 1 | 7 | |a Lomax, John A. |q (John Avery), |d 1867-1948. |2 fast |0 (OCoLC)fst01757083 |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Folk music |z United States |x History and criticism. | |
| 650 | 6 | |a Musique folklorique |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a MUSIC / General |2 bisacsh | |
| 650 | 7 | |a African Americans |x Music. |2 fast |0 (OCoLC)fst00799648 | |
| 650 | 7 | |a Folk music. |2 fast |0 (OCoLC)fst00929383 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 710 | 2 | |a Michigan Publishing (University of Michigan), |e publisher. | |
| 770 | 0 | 8 | |i Supplement (work): |a Stone, Jonathan W. |t Listening to the Lomax Archive |h 1 online resource (41 audio files) |
| 776 | 0 | 8 | |i Print version: |a Stone, Jonathan W. |t Listening to the Lomax Archive. |d Ann Arbor, Michigan : University of Michigan Press, 2021 |z 0472038559 |z 9780472038558 |w (OCoLC)1228008218 |
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