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|a 1298433264
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|a 1474481647
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|a Girdwood, Megan.
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|a Modernism and the Choreographic Imagination
|h [electronic resource] :
|b Salome's Dance After 1890.
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|a Edinburgh :
|b Edinburgh University Press,
|c 2021.
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|a 1 online resource (251 p.).
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|a text
|b txt
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|a Edinburgh Critical Studies in Modernism, Drama and Performance Ser.
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|a Description based upon print version of record.
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|a An account of Salome's dance and its centrality within modernist performance.
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|a Includes bibliographical references (pages 210-232) and index.
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|t Frontmatter --
|t CONTENTS --
|t ILLUSTRATIONS --
|t ABBREVIATIONS --
|t ACKNOWLEDGEMENTS --
|t SERIES EDITOR'S PREFACE --
|t 1 INTRODUCTION --
|t 1 'UNLOCATABLE BODIES': MODERNIST VEILED DANCERS FROM LOÏE FULLER TO MAUD ALLAN --
|t 2 'THAT INVISIBLE DANCE': SYMBOLISM, SALOMÉ AND OSCAR WILDE'S CHOREOGRAPHIC AESTHETICS --
|t 3 'HARMONIES OF LIGHT': CINÉ-DANCES AND WOMEN'S SILENT FILM --
|t 4 'HERODIAS' DAUGHTERS HAVE RETURNED AGAIN': W. B. YEATS AND THE IDEAL BODY --
|t EPILOGUE 'DANCED THROUGH ITS SEVEN PHASES': SAMUEL BECKETT AND THE LATE MODERNIST SALOME --
|t BIBLIOGRAPHY --
|t INDEX
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|a Modernism (Literature)
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|a Dance in literature.
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|a Christian art and symbolism in literature.
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|a Modernisme (Littérature)
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|a Danse dans la littérature.
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|a Symbolisme chrétien dans la littérature.
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|i Print version:
|a Girdwood, Megan
|t Modernism and the Choreographic Imagination
|d Edinburgh : Edinburgh University Press,c2021
|z 9781474481625
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|a Edinburgh Critical Studies in Modernism, Drama and Performance Ser.
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