A stage of emancipation : change and progress at the Dublin Gate Theatre /

Uncovering a wide range of marginalised histories of gender, class, language, ethnicity and sexuality, this volume shows how the Dublin Gate Theatre (est. 1928) played various emancipatory roles in Irish culture and society, both under the directorate of its founders, Hilton Edwards and Micheál mac...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Liverpool : Liverpool University Press, 2021.
Temas:
Dublin Gate Theatre.
1900-2099
Theater and society > Ireland > Dublin > History > 20th century.
Theater and society > Ireland > Dublin > History > 21st century.
Théâtre et société > Irlande > Dublin > Histoire > 20e siècle.
Théâtre et société > Irlande > Dublin > Histoire > 21e siècle.
Theatre studies.
DRAMA > European > English, Irish, Scottish, Welsh.
Theater and society.
Ireland > Dublin.
Ireland;Irish theatre;marginalized groups;social emancipation;gender;ethnicity;language;class
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: 1. Introduction: A Stage of Emancipation / Ruud van den Beuken
  • pt. I Liberating Bodies
  • 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) / Mary Trotter
  • 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland / Deirdre McFeely
  • pt. II Emancipating Communities
  • 4. `Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youths the Season
  • ? / Grace Vroomen
  • 5. Images and Imperatives: Robert Collis's Marrowbone Lane. (1939) at the Gate as Theatre for Social Change / Ian R. Walsh
  • 6. Authenticity and Social Change on the Gate Stage in the 1970s: `Communicating with the People' / Barry Houlihan
  • pt. III Staging Minority Languages
  • 7. Micheal mac Liammoir, the Irish Language, and the Idea of Freedom / Radvan Markus
  • 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure / David Clare
  • pt. IV Deconstructing Aesthetics
  • 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre / Mark Fitzgerald
  • 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen / Siobhdn O'Gorman
  • pt. V Contesting Traditions in Contemporary Theatre
  • 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre / Justine Nakase
  • 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion / Marguerite Corporaal.

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