Parodies of ownership : hip-hop aesthetics and intellectual property law /

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"What is the relationship between hip-hop and African American culture in the post-Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schur, Richard L.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press : University of Michigan Library, [2009]
Temas:
African Americans in popular culture.
African Americans > Legal status, laws, etc.
Hip-hop > Influence.
Intellectual property > United States.
Noirs américains dans la culture populaire.
Propriété intellectuelle > États-Unis.
LAW > Administrative Law & Regulatory Practice.
LAW > Intellectual Property > General.
Intellectual property.
Geistiges Eigentum
Kultur
United States.
Schwärze
USA
African Americans
Legal status, laws, etc.
Intellectual property
United States
Hip-hop
Influence
African Americans in popular culture
Acceso en línea:Texto completo
Tabla de Contenidos:
  • From chattel to intellectual property : legal foundations of African American cultural critique
  • Critical race theory, signifyin', and cultural ownership
  • Defining hip-hop aesthetics
  • Claiming ownership in the post
  • civil rights era
  • "Fair use" and the circulation of racialized texts
  • "Transformative uses" : parody and memory
  • From invisibility to erasure? The consequences of hip-hop aesthetics.

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