Jihadi Audiovisuality and Its Entanglements : Meanings, Aesthetics, Appropriations /

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Explores the use of images, sounds and videos in Jihadi media and how people engage with them.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Günther, Christoph (Middle East specialist) (Editor ), Pfeifer, Simone (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2020]
Temas:
Internet and terrorism.
Internet et terrorisme.
Biography & Autobiography.
ART / Art & Politics
Biography
Biographies.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • JIHADI AUDIOVISUALITY AND ITS ENTANGLEMENTS
  • Copyright
  • Contents
  • Figures
  • Notes on Contributors
  • Acknowledgements
  • Introduction
  • Jihadi Audiovisuality and Its Entanglements: A Conceptual Framework
  • Part A ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
  • 1 On Speaking, Remaining Silent and Being Heard: Framing Research, Positionality and Publics in the Jihadi Field
  • 2 Designing Research on Radicalisation using Social Media Content: Data Protection Regulations as Challenges and Opportunities
  • 3 Ethics in Gender Online Research: A Facebook Case Study
  • Part B VISUALISING JIHADI IDEOLOGY AND ACTION
  • 4 Appropriation in Islamic State Propaganda: A Theoretical and Analytical Framework of Types and Dimensions
  • 5 Visual Performativity of Violence: Power and Retaliatory Humiliation in Islamic State (IS) Beheading Videos
  • 6 From the Darkness into the Light: Narratives of Conversion in Jihadi Videos
  • Part C APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
  • 7 Artivism, Politics and Islam
  • An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives
  • 8 Re-enacting Violence: Contesting Public Spheres with Appropriations of IS Execution Videos
  • 9 'You're against Dawla, but you're Listening to their Nasheeds?' Appropriating Jihadi Audiovisualities
  • Part D ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE
  • 10 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and Transformations
  • 11 Anashid at the Crossroads between the Organisational and the Private
  • 12 Contested Chants: The Nashid Salil al-Sawarim and its Appropriations
  • INDEX

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