Sukeroku's double identity : the dramatic structure of Edo kabuki /
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Ann Arbor :
Center for Japanese Studies, University of Michigan,
1982.
|
Colección: | Michigan papers in Japanese studies ;
no. 6. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Title
- Copyright
- Contents
- Acknowledgements
- Introduction
- Part One: Edo Kabuki
- Chapter 1: The Calendar of Kabuki
- Opening the theater year: the kao-mise production
- The long-run spring production: the Soga tradition
- Winding down the theater year: the bon and farewell productions
- Chapter 2: The Principles of Edo Kabuki
- The multi-part structure of kabuki
- The link between the old and new orders
- Sekai and shukō: tradition and innovation
- Part Two: Sukeroku's Double Identity
- Chapter 3: Sukeroku as Soga Gorō, a God-Hero of the Nation: The Development of the Soga Tradition
- The Soga brothers' revenge
- The origins of the Soga tradition in nō, kōwaka, and ko-jōruri
- Ichikawa Danjūrō I and the representation of Soga Gorō in kabuki
- Chapter 4: Sukeroku, Flower of Edo: The Transformation of Soga Gorō into Sukeroku
- The origins of the Sukeroku innovation
- Ichikawa Danjūrō II and the introduction of the Sukeroku innovation to Edo kabuki
- Sukeroku: flower of Edo
- Conclusion
- Postscript: Reconstructing Kabuki for Performance
- Select Bibliography
- Appendix I: Kabuki Source Materials of the Tokugawa Period
- Appendix II: List of Japanese Terms, Names, and Titles