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The Republic of Cthulhu : Lovecraft, the weird tale, and conspiracy theory /

If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wilson, Eric, 1961 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Santa Barbara, California] ; Earth, Milky Way : punctum books, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wilson, Eric,  |d 1961,  |e author. 
245 1 4 |a The Republic of Cthulhu :  |b Lovecraft, the weird tale, and conspiracy theory /  |c by Eric Wilson. 
264 1 |a [Santa Barbara, California] ;  |a Earth, Milky Way :  |b punctum books,  |c 2016. 
264 4 |c ©2016 
300 |a 1 online resource (183 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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504 |a Includes bibliographical references. 
520 |a If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work of H.P. Lovecraft (1890-1937) as an example of the relevance of subversive literature--in this case, cosmic horror and the weird tale--to the parapolitical criminologist. Cosmic horror is a form of writing that relies heavily upon the epistemological assumption of a radical and irreconcilable disjunction between appearance and reality, perception and truth. In many ways, the well-constructed weird tale strongly resembles the hard-boiled detective story or the noir thriller in that the resolution of the narrative hinges upon a dramatically shattering confrontation with an unspeakable reality. Apart from its obvious utilization of conspiracy theory, the primary attraction of the Lovecraftian text lies with its remarkably sophisticated utilization of two central tropes of classical aesthetic theory--the sublime and the grotesque. Not only does Lovecraft's oeuvre represent a remarkable use of both of these motifs, but the raw literary power of the Lovecraftian weird tale serves as an outstanding exemplar for the parapolitical scholar to emulate in formulating an alternative mode of discourse, or poetics. 
588 |a Description based on electronic version of record (viewed on June 12th, 2020). 
505 0 |a Gods and monsters -- The criminology of the nameless : parapolitics and Alētheia -- From the sublime : "The call of Cthulhu" (1926) -- To the grotesque : "The horror at Red Hook" (1925) -- N. Lat. 40.7117°, W. Long. 74.0125° 08:46-09:03 AM, September 11, 2001 -- Conclusion : the doom that came to humanism. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Open Access 
600 1 0 |a Lovecraft, H. P.  |q (Howard Phillips),  |d 1890-1937. 
600 1 1 |a Lovecraft, H. P.  |q (Howard Phillips),  |d 1890-1937  |x Criticism and interpretation. 
600 1 7 |a Lovecraft, H. P.  |q (Howard Phillips),  |d 1890-1937  |2 fast 
650 0 |a Conspiracy theories in literature. 
650 0 |a Structuralism (Literary analysis) 
650 6 |a Structuralisme (Analyse littéraire) 
650 7 |a SOCIAL SCIENCE / Criminology  |2 bisacsh 
650 7 |a Structuralism (Literary analysis)  |2 fast 
655 4 |b Electronic books. 
776 0 8 |i Print version:  |z 0998237566 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/jj.2353856  |z Texto completo 
994 |a 92  |b IZTAP