Ego--alter ego : double and/as other in the age of German poetic realism /

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German Poetic Realists drew on the Romantic motif of the Double in a manner consistent with the central dictum of Poetic Realism as articulated by its chief theorists, Julian Schmidt and Otto Ludwig. Schmidt and Ludwig argued that contemporary authors should, above all, strive for psychological and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pizer, John David (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : University of North Carolina Press, [2020]
Edición:[Open access ebook edition]
Colección:University of North Carolina studies in the Germanic languages and literatures ; no. 120.
Temas:
1800-1899
German fiction > 19th century > History and criticism.
Realism in literature.
Doubles in literature.
Split self in literature.
Roman allemand > 19e siècle > Histoire et critique.
Réalisme dans la littérature.
Doubles dans la littérature.
Moi divisé dans la littérature.
LITERARY CRITICISM / European / German
Doubles in literature
German fiction
Realism in literature
Split self in literature
Alter Ego
Deutsch
Doppelgänger
Literatur
Realismus
Dubbelgangers.
Letterkunde.
Duits.
Deutsch.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Gender, childhood, and alterity in Annette von Droste-Hülshoff's Doppelgänger thematic
  • The double, the alter ego, and the ideal of aesthetic comprehensiveness in "Der poetische Realismus": Otto Ludwig
  • The Oriental alter ego: C.F. Meyer's Der Heilige
  • Duplication, fungibility, dialectics, and the "epic naiveté" of Gottfried Keller's Martin Salander
  • Guilt, memory, and the motif of the double in Theodor Storm's Aquis submersus and Ein Doppelgänger
  • The alter ego as narration's motive force: Wilhelm Raabe

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